Besides, there were the real holidays, when there was a marriage, a christening, or a funeral in the tenement, particularly when a baby died whose father belonged to one of the many benefit societies. A brass band was the proper thing then, and the whole block took a vacation to follow the music and the white hearse out of their ward into the next. But the chief of all the holidays came once a year, when the feast of St. Rocco--the patron saint of the village where Paolo's parents had lived--was celebrated. Then a really beautiful altar was erected at one end of the yard, with lights and pictures on it. The rear fire-escapes in the whole row were decked with sheets, and made into handsome balconies,--reserved seats, as it were,--on which the tenants sat and enjoyed it. A band in gorgeous uniforms played three whole days in the yard, and the men in their holiday clothes stepped up, bowed, and crossed themselves, and laid their gifts on the plate which St. Rocco's namesake, the saloon-keeper in the block, who had got up the celebration, had put there for them. In the evening they set off great strings of fire-crackers in the street, in the saint's honor, until the police interfered once and forbade that. Those were great days for Paolo always. But the fun Paolo loved best of all was when he could get in a corner by himself, with no one to disturb him, and build castles and things out of some abandoned clay or mortar, or wet sand if there was nothing better. The plastic material took strange shapes of beauty under his hands. It was as if life had been somehow breathed into it by his touch, and it ordered itself as none of the other boys could make it. His fingers were tipped with genius, but he did not know it, for his work was only for the hour. He destroyed it as soon as it was made, to try for something better. What he had made never satisfied him--one of the surest proofs that he was capable of great things, had he only known it. But, as I said, he did not. The teacher from the Industrial School came upon him one day, sitting in the corner by himself, and breathing life into the mud. She stood and watched him awhile, unseen, getting interested, almost excited, as he worked on. As for Paolo, he was solving the problem that had eluded him so long, and had eyes or thought for nothing else. As his fingers ran over the soft clay, the needle, the hard bench, the pants, even the sweater himself, vanished out of his sight, out of his life, and he thought only of the beautiful things he was fashioning to express the longing in his soul, which nothing mortal could shape. Then, suddenly, seeing and despairing, he dashed it to pieces, and came back to earth and to the tenement.