Authors -- Fiction; Ghosts -- Fiction; Love stories; World War, 1914-1918 -- Veterans -- Fiction
Three days went by. Lindsay's nights were so broken that he took long
naps in the afternoon. His days had turned into periods of idle revery.
The letter to Spink Sparrel was still unfinished. He worked
spasmodically at his typewriter: but he completed nothing. The third
night he started toward the Rochambeau with the intention of getting a
room. But halfway across the Park, he stopped and retraced his steps. "I
can't let you beat me!" he muttered audibly, after he arrived in the
empty apartment.
It did not beat him that night; for he stayed in the apartment until
dawn broke. But from midnight on, he lay with every light in the place
going. At sunrise, he dressed and went out for a walk. And the moment
the sounds of everyday life began to humanize the neighborhood, he
returned; sat down to his machine.
"Spink, old dear, my mind is made up. I accept! I'll do Lutetia for you;
and, by God, I'll do her well! I'm starting for Boston tomorrow night on
the midnight. I'll call at the office about noon and we'll go to
luncheon together. I'll dig out my thesis and books from storage, and if
you'll get all your dope and data together, I can go right to it. I'm
going to Quinanog tomorrow afternoon. I need a change. Everybody here
makes me tired. The pacifists make me wild and the militarists make me
wilder. Civilians is nuts when it comes to a war. The only person I can
talk about it with is somebody who's been there. And anybody who's been
there has the good sense not to want to talk about it. I don't ever want
to hear of that war again. Personally, I, David Lindsay, meaning me,
want to swing in a hammock on a pleasant, cool, vine-hung piazza; read
Lutetia at intervals and write some little pieces subsequent. Yours,
David."
II
Susannah Ayer dragged herself out of her sleepless night and started to
get up. But halfway through her first rising motion, something seemed to
leave her--to leave her spirit rather than her body. She collapsed in a
droop-shouldered huddle onto the bed. Her red hair had come out of its
thick braids; it streamed forward over her white face; streaked her
nightgown with glowing strands. She pushed it out of her eyes and sat
for a long interval with her face in her hands. Finally she rose and
went to the dresser. Haggardly she stared into the glass at her
reflection, and haggardly her reflection stared back at her. "I don't
wonder you look different, Glorious Susie," she addressed herself
wordlessly, "because you _are_ different. I wonder if you can ever wash
away that experience--"
She poured water into the basin until it almost brimmed; and dropped her
face into it. After her sponge bath, she contemplated herself again in
the glass. Some color had crept into the pearly whiteness of her cheek.
Her dark-fringed eyes seemed a little less shadow-encircled. She turned
their turquoise glance to the picture of a woman--a miniature painted on
ivory--which hung beside the dresser.
Public-domain text, read in full here on John Shaqi.
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