Authors -- Fiction; Ghosts -- Fiction; Love stories; World War, 1914-1918 -- Veterans -- Fiction
The runabout chugged to Blue Meadows in less than ten minutes. The road
branched off from the State highway at the least frequented place in its
ample stretch; ran for a long way to West Quinanog. On this side road,
houses were few and they grew fewer and fewer until they left Blue
Meadows quite by itself. Its situation, though solitary, was not lonely.
It sat near the road. Perhaps, Lindsay decided, it would have been too
near if stately wine-glass elms, feathered with leaves all along their
lissom trunks, in collaboration with a high lilac hedge now past its
blooming, had not helped to sequester it. From the street, the house
showed only a roof with two capacious chimneys, the upper story of its
gray clapboarded façade.
Dick, a gangling freckled youth, slowed down the machine as if in
preparation for a stop. "I've got the key," he volunteered, "if you want
to go in."
Until that moment Lindsay had entertained no idea of going in. But
Dick's words fired his imagination. "Thanks, I think I will."
Dick handed over the long, delicately wrought key. He made no move to
follow Lindsay out of the car. "If you don't mind," he said, "I'll run
down the road to see a cousin of mine. How soon before you'll want to
start back?"
"Oh, give me half an hour or so," Lindsay decided carelessly.
The runabout chugged into the green arch which imprisoned the distance.
Alone, Lindsay strolled between lilac bushes and over the sunken flags
which led to the front door. Then, changing his mind, he made an
appraising tour about the outside of the place.
Blue Meadows was a big old house: big, so it seemed to his amateur
judgment, by an incredible number of rooms; and old--and here his
judgment, though swift, was more accurate--to the time of two hundred
years. Outside, it had all the earmarks of Colonial architecture--plain
lines, stark walls, the windows, with twenty-four lights, geometrically
placed; but its lovely lines, its beautiful proportions, and the soft
plushy nap which time had laid upon its front clapboardings mitigated
all its severities. The shingles of the roof and sides were
weather-beaten and gray, the blinds a deep old blue. At one side jutted
an incongruous modern addition; into the second story of which was set a
galleried piazza. At the other side stretched an endless series of
additions, tapering in size to a tiny shed.
"This is Lutetia's house!" Lindsay stopped to muse. "Is it true that I
spent two years with the French Army? Is it true that I served two more
with the American Army? Oh, to think you didn't live to see all that,
Lutetia!"
A lattice arched over the doorway and on it a big climbing rose was just
coming into bud. The beautiful door showed the pointed architrave, the
leaded side panels, the fanlight, the engaged columns, of Colonial
times. It resisted the first attack of the key, but yielded finally to
Lindsay's persuasion. He stepped into the hall.
Public-domain text, read in full here on John Shaqi.
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