Authors -- Fiction; Ghosts -- Fiction; Love stories; World War, 1914-1918 -- Veterans -- Fiction
The advertising columns were not, she found (and attributed it to the
return of so many men from France), very fecund. Each newspaper offered
only from two to six chances worth considering. One, which appeared in
all of them, seemed to afford the best opening. It read:
"_Wanted_: A stenographer, lady-like appearance and address,
with some executive experience. Steady job and quick advancement
to right woman. Apply between 9 and 11, room 1009, Carman
Building."
"I am requested to apply for this spectacular job at the office itself,
Glorious Lutie," she confided on her return to her room, "and I'm going
out immediately after it. It's a romantic thing, getting a job through
an advertisement. I hope I float up to the forty-sixth floor of a
skyscraper, sail into a suite of offices which fill the entire top
story; all Turkish rugs on the highly polished floor; all expensive
paintings on the delicately tinted walls; all cut flowers with yard-long
stems in the finely cut crystal vases. I should like to find there a new
employer; tall, young, handsome, and dark. Dark he must be, Glorious
Lutie. I cannot marry a blond; our children would be albinos. He would
address me thus: 'Most Beauteous Blonde--you arrive at a moment when we
are so much in need of a secretary that if you don't immediately seat
yourself at yon machine, we shall go out of business. Your salary is one
hundred dollars a week. This exquisite rose-lined boudoir is for your
private use. You will find a bunch of fresh violets on your desk every
morning. May I offer you my Rolls-Royce to bring you back and forth to
work? And,' having fallen in love with me instantly, 'how soon may I ask
you to marry me?'"
Susannah took the Subway to Wall Street; walked through that busy
city-cañon to the Carman Building. She strode into the elevator, almost
empty in the hour which followed the morning rush; started to emerge, as
directed by the elevator-man, at the tenth floor. But she did not
emerge. Instead, her face as white as paper, she leaped back into the
elevator; ascended with it to the top floor; descended with it;
hurriedly left the building.
That first casual glance down the corridor had given her a glimpse of H.
Withington Warner sauntering slowly away from the elevator.
Public-domain text, read in full here on John Shaqi.
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