Out of the Hurly-Burly; Or, Life in an Odd CornerClark, Charles Heber
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Out of the Hurly-Burly; Or, Life in an Odd Corner
Clark, Charles Heber
American fiction -- 19th century; Humorous stories
"Certainly not, Mrs. A. If I did, we should cause a general immigration
of the domestics of the country to New Castle. We will not precipitate
such a disaster."
The insertion of a less extended advertisement, couched in the usual
terms, secured a reply from a young woman named Catherine. And when
Catherine's objections to the size of the family, to the style of the
cooking-range, to the dimensions of the weekly wash and to sundry other
things had been overcome, she consented to accept the position.
"I hope she will suit," exclaimed Mrs. Adeler, with a sigh and an
intonation which implied doubt. "I do hope she will answer, but I am
afraid she won't, for according to her own confession she doesn't know
how to make bread or to iron shirts or to do anything."
"That is the reason why she demanded such exorbitant wages. Those
servants who are entirely ignorant always want the largest pay. If we
ever obtain a girl who understands her business in all its departments,
I cherish the conviction that she will work for us for nothing. The
wages of domestics are usually in inverse ratio to the merit of the
recipients. Did you ever reflect upon the difference between the real
and the ideal Irish maiden?"
Mrs. A. admitted that she had not considered the subject with any degree
of attention.
"The ideal peasant-girl lives only in fiction and upon the stage. We are
largely indebted to Mr. Boucicault for her existence, just as we are
under obligations to Mr. Fennimore Cooper for a purely sentimental
conception of the North American Indian. Have you ever seen the _Colleen
Bawn_?"
"What is that?" inquired Mrs. Adeler, as she bit off a piece of thread
from a spool.
"It is a play, a drama, my dear, by Mr. Dion Boucicault."
"You know I never go to theatres."
[Illustration]
"Well, in that and in many other of his dramas Mr. Boucicault has
drawn a particularly affecting portrait of the imaginary peasant-girl
of Ireland. She is, as depicted by him, a lovely young creature,
filled with tenderest sensibility, animated by loftiest impulses and
inspired perpetually by poetic enthusiasm. The conversation of this
fascinating being sparkles with wit; she overflows with generosity;
she has unutterable longings for a higher and nobler life; she loves
with intense and overpowering passion; she is capable of supreme
self-sacrifice; and she always wears clean clothing. If such charming
girls really existed in Ireland in large numbers, it would be the most
attractive spot in the world. It would be a particularly profitable
place for young bachelors to emigrate to. I think I should even go there
myself."
Mrs. Adeler said she would certainly accompany me if I did.
Public-domain text, read in full here on John Shaqi.
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