Out of the Hurly-Burly; Or, Life in an Odd CornerClark, Charles Heber
General
Out of the Hurly-Burly; Or, Life in an Odd Corner
Clark, Charles Heber
American fiction -- 19th century; Humorous stories
When Mr. Chubb, the elder, returned from Europe, he brought with him
from Geneva a miniature musical box, long and very narrow, and
altogether of hardly greater dimensions, say, than a large pocket-knife.
The instrument played four cheerful little tunes for the benefit of the
Chubb family, and they enjoyed it. Young Henry Chubb enjoyed it to such
an extent that, one day, just after the machine had been wound up ready
for action, he got to sucking the end of it, and in a moment of
inadvertence it slipped, and he swallowed it. The only immediate
consequence of the accident was that a harmonic stomach-ache was
organized upon the interior of Henry Chubb, and he experienced a
restlessness which he well knew would defy peppermint and paregoric.
Henry Chubb kept his secret in his own soul, and in his stomach also,
determined to hide his misery from his father, and to spare the rod to
the spoiled child--spoiled, at any rate, as far as his digestive
apparatus was concerned.
[Illustration]
But that evening, at the supper-table, Henry had eaten but one mouthful
of bread when strains of wild, mysterious music were suddenly wafted
from under the table. The family immediately made an effort to discover
whence the sounds came, although Henry Chubb sat there filled with agony
and remorse and bread and tunes, and desperately asserted his belief
that the music came from the cellar, where the servant-girl was
concealed with a harp. He well knew that Mary Ann was unfamiliar with
the harp. But he was frantic with anxiety to hide his guilt. Thus it is
that one crime leads to another.
[Illustration]
But he could not disguise the truth for ever, and that very night, while
the family was at prayers, Henry all at once began to hiccough, and the
music box started off without warning with "Way down upon the Suwanee
River," with variations. Whereupon the paternal Chubb arose from his
knees and grasped Henry kindly but firmly by his hair and shook him up
and inquired what he meant by such conduct. And Henry asserted that he
was practicing something for a Sunday-school celebration, which old
Chubb intimated was a singularly thin explanation. Then they tried to
get up that music box, and every time they would seize Henry by the legs
and shake him over the sofa cushion, or would pour some fresh variety of
emetic down his throat, the instrument within would give a fresh spurt,
and joyously grind out "Listen to the Mocking Bird" or "Thou'lt Never
Cease to Love."
[Illustration]
Public-domain text, read in full here on John Shaqi.
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