_Let's face it_, he told himself. _You're scared. You're scared
sweatless._ He wondered if he had spoken it aloud.
There was plenty of room on the asteroid. At least two hundred square
miles, probably more if you allowed for the rough surface. He could
skulk around, hide ... and suffocate when his tanked air gave out. He
had to be a hunter, too, and track down the other man, before he died.
And if he found his enemy, he would probably die anyway.
He looked about him. Nothing. No sound, no movement, nothing but the
streaming of the constellations as the asteroid spun. Nothing had ever
moved here, since the beginning of time when moltenness congealed into
death. Not till men came and hunted each other.
Slowly he forced himself to move. The thrust of his foot sent him
up, looping over the cliff to drift down like a dead leaf in Earth's
October. Suit, equipment, and his own body, all together, weighed only
a couple of pounds here. It was ghostly, this soundless progress over
fields which had never known life. It was like being dead already.
Bo Jonsson's tongue was dry and thick in his mouth. He wanted to
find his enemy and give up, buy existence at whatever price it would
command. But he couldn't do that. Even if the other man let him do it,
which was doubtful, he couldn't. Johnny Malone was dead.
Maybe that was what had started it all--the death of Johnny Malone.
* * * * *
There are numerous reasons for basing on the Trojan asteroids, but
the main one can be given in a single word: stability. They stay put
in Jupiter's orbit, about sixty degrees ahead and behind, with only
minor oscillations; spaceships need not waste fuel coming up to a body
which has been perturbed a goodly distance from where it was supposed
to be. The trailing group is the jumping-off place for trans-Jovian
planets, the leading group for the inner worlds--that way, their own
revolution about the sun gives the departing ship a welcome boost,
while minimizing the effects of Jupiter's drag.
Moreover, being dense clusters, they have attracted swarms of miners,
so that Achilles among the leaders and Patroclus in the trailers have a
permanent boom town atmosphere. Even though a spaceship and equipment
represent a large investment, this is one of the last strongholds of
genuinely private enterprise: the prospector, the mine owner, the
rockhound dreaming of the day when his stake is big enough for him to
start out on his own--a race of individualists, rough and noisy and
jealous, but living under iron rules of hospitality and rescue.
The Last Chance on Achilles has another name, which simply sticks an
"r" in the official one; even for that planetoid, it is a rowdy bar
where Guardsmen come in trios. But Johnny Malone liked it, and talked
Bo Jonsson into going there for a final spree before checkoff and
departure. "Nothing to compare," he insisted. "Every place else is
getting too fantangling civilized, except Venus, and I don't enjoy
Venus."
Public-domain text, read in full here on John Shaqi.
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