Outcast Robin : $b or, Your brother and mine : a cry from the great cityMeade, L. T.
General
Outcast Robin : $b or, Your brother and mine : a cry from the great city
Meade, L. T.
Abandoned children -- Juvenile fiction; London (England) -- Juvenile fiction; Poor -- Juvenile fiction
In the long spring days that had now arrived, he used to awake early,
turn round on his back, and gaze at them. He knew them all by heart.
To him those men and women, who in gorgeous raiment laughed and
smiled and danced, seemed to represent all that was beautiful. Those
impossible flowers, that stage-painted scenery, opened fairy-land to
Robin. Never as long as he lived did he forget the gaudy walls of
his attic home. In reality, the wretched prints spoke of all that
was coarse and low in life; but to the innocent child they meant
beauty, and he learned no evil lessons thereby.
The prints, as I said, were coarse; but one, as great a daub as the
others, treated at least of a pure and child-like theme. A little
girl dressed in white, with curling hair, sat on a bank stringing
daisies into a chain. The bank was an impossible green, the child's
cheeks an unnatural red, the daisies in her lap were like no daisies
ever seen, while the sky over-head lowered down upon her an intense
Prussian blue. But Robin was not an art critic, and to him the
frightful production meant perfection. Of all the illustrations on
the wall, this was his favourite: he liked them all, he loved them
all, but he gave his heart to that little maiden in white, and he
never tired of asking Helen to tell him her imaginary story.
A few weeks passed thus, when one day, as they were out together,
they met an old acquaintance--in short, one of the thieves whom Robin
had known and dreaded when he lived in the thieves' quarters. A
pang, he knew not why, shot through his young heart when he saw him,
and neither was Helen pleased. The man accosted her, however, and
though she would not allow him to see her home, they talked together
for some time. Whatever their conversation--for they spoke partly in
metaphor, partly turning their sentences backwards--it seemed to
excite Helen; her bold, black eyes sparkled with something of their
old fire, her tones grew loud and eager.
Her companion was evidently entreating her to do something. She
hesitated; she looked at Robin; she demurred; finally, she yielded.
That night Robin went to sleep as usual with Helen by his side: he
remembered how passionately she kissed him just before he fell
asleep, but when the morning dawned she was gone. This had never
happened before, and for a moment or two the child felt uneasy, and
gazed around him anxiously; then his fears subsided, and, turning on
his straw bed, he made himself happy watching the little girl in
white, as she strung her daisies. At eleven o'clock Helen returned,
flushed, tired, exhausted, her dress torn, and the paint with which
she had tried to disguise her appearance scarcely washed away from
her face.
Public-domain text, read in full here on John Shaqi.
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