I climbed on between great roots of pines where the litter lay in
hummocks between the tracks of winter torrents, and Lianth had called
twice before I bethought myself to answer him and claim a longer time. I
lay down at last in a place where the scrub was a screen to me, and
before I understood what had happened, the laboring breath of my
climbing had burst into thick, choking sobs. I lay face down on the pine
litter and was most terribly shaken with the grief of some dumb, wounded
thing in me that did not know its hurt, but wrenched and cried a long
time unrelievingly. It was so new a thing for me to cry and so strange,
that though I knew this was what I had come there for, I did not know
why I was torn so almost to the dividing of soul and spirit. The crying
lasted a long time, and I was so exhausted by it that it was only by
faint degrees I became aware of eyes upon me. I roused up hastily,
afraid lest in the violence of my grief I had failed to answer some
inquiry of Lianth’s and he had come to find me.
Instead, I met the curious, commiserating eyes of a woman fixed on me
through the leafage of the scrub. As soon as she perceived that I saw
her she parted the brush and came through, holding it still in her hands
behind her, as though it were a door of exit to be kept open. I saw at
once by her figure, which was slight and tall, by her dark hair and by
her dress, that she was not one of the Outliers. Over her tunic she had
wound a long cloak of dark stuff, concealing her limbs, and over that
bound vines and wreathed the leaves in her hair, for adornment or
concealment. As she stood in the shadow there was little to be discerned
of her but the thin oval of her face and the long throat clasped by
linked silver ornaments finely wrought.
“You are not of the Outliers?” she questioned, though I felt she was
already sure of the fact.
“I am their prisoner.”
I thought she seemed pleased at that, more pleased if, with a swift
searching of my swollen eyes, I could have answered yes to her next
question.
“They do not treat you well? But no”—answering herself—“it is not so
that captives cry. What is your name?”
“Mona.”
She said it over two or three times to fix it in her memory; and then,
caution and curiosity struggling in her:
“You have just come from them? You know them?”
“Yes.”
“Do you”—I could see the pulse of her long throat and the bushes shake
behind with her agitation—“do you know Ravenutzi?”
“I know him.”
“Is he well? How does he look? Is he happy?” Impossible to conceal now
what the question meant to her.
“He is well. As to his looks—sometimes he looks younger, sometimes
older. His hair, I think, is not so gray.”
“Not so gray?”
“I think he dyes it.” I do not know why I should have said this, except
as I saw that no detail of him was too small to seem trivial to her.
“Oh!” she said, startled, looking at me queerly. “Oh!” she gave a short
laugh, “you think he dyes it. Is he happy?”
I considered.
Public-domain text, read in full here on John Shaqi.
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