_Sketch of Homeric religion_.--The poems of Homer present us with an advanced polytheism, a system in which the divinities are already correlated in some sort of hierarchy and organised as a divine family under a supreme God. These divine beings are not mere ‘daimones’ or ‘numina,’ such as were in the main the old deities of Rome, vague and dimly outlined forces animate yet scarcely personal; but rather concrete and individual Θεοί of robust and sharply defined personality, not spirits but immortal beings of superhuman substance and soul, conceived in the glorified image of man. The anthropomorphic bias is dominant in the poems, plastically shaping the figures of all the divinities, except occasionally some of the lower grade, such as {18} the river-god Skamandros. Even the vague group of nymphs, female ‘daimones’ of the rill and the mountain, while lacking individual characterisation, bear the anthropomorphic name, ‘Brides,’ or ‘young women,’ which is the root-meaning of Νύμφη. Though the gods and goddesses are shape-shifters and may manifest or disguise themselves in the form of any animal--birds by choice--yet their abiding type is human; nor has Homer any clear remembrance of a ‘cow-faced’ Hera, still less of an ‘owl-faced’ Athena, since for him at least ‘Hera βοῶπις’ was Hera ‘of the large ox-eyes’--the term is a complimentary epithet of women--and Athena γλαυκῶπις, the goddess ‘of the flashing eyes.’ Also his divinities are moralised beings with human passions and ethical as well as artistic emotions. The highest among them are not imagined as Nature-powers, bound up with or immanent in the forces and departments of the natural world, for such a description applies only to his wind-Gods and nymphs and gods of river and sea; also, though more loosely, to his Helios, the God of the Sun; to beings in fact that count little in his religious world. It scarcely applies to Poseidon, for though his province is the sea, and some of his functions and appellatives ‘the girdler of the earth,’ ‘the earth-shaker,’ ‘he of the dark blue locks’ are derived from it, he is also the builder of the walls of Troy, the family deity of the house of Nestor, and the God of horses. It does not describe at all his mode of imagining and presenting Apollo, Hera, Athena, Hermes and others. There is no hint that these divinities were conceived by him as nature-powers or as evolved from any part of the natural world. {19} The High God, Zeus, though specially responsible for the atmospheric and celestial phenomena, is not identified with the thunder or even with the sky, though a few phrases may reveal the influence of an earlier animistic conception of the divine sky. His religious world, in short, is morphologically neither a system of polydaimonism nor one of pantheism in which a divine force is regarded as universally immanent in the world of things; but is constructed on the lines of personal theism.