Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
In the beautiful Warwickshire village of Stratford our poet was
born, probably in the month of April, in 1564. His mother, Mary
Arden, was a farmer's daughter; his father was a butcher and small
tradesman, who at one time held the office of high bailiff of the
village. There was a small grammar school in Stratford, and
Shakespeare may have attended it for a few years. When he was about
fourteen years old his father, who was often in lawsuits, was
imprisoned for debt, and the boy probably left school and went to
work. At eighteen he married Anne Hathaway, a peasant's daughter
eight years older than himself; at twenty-three, with his father
still in debt and his own family of three children to provide for,
Shakespeare took the footpath that led to the world beyond his
native village. [Footnote: Such is the prevalent opinion of
Shakespeare's early days; but we are dealing here with surmises,
not with established facts. There are scholars who allege that
Shakespeare's poverty is a myth; that his father was prosperous to
the end of his days; that he probably took the full course in Latin
and Greek at the Stratford school. Almost everything connected with
the poet's youth is still a matter of dispute.]
[Sidenote: IN LONDON]
From Stratford he went to London, from solitude to crowds, from
beautiful rural scenes to dirty streets, from natural country
people to seekers after the bubble of fame or fortune. Why he went
is largely a matter of speculation. That he was looking for work;
that he followed a company of actors, as a boy follows a circus;
that he was driven out of Stratford after poaching on the game
preserves of Sir Thomas Lucy, whom he ridiculed in the plays of
_Henry VI_ and _Merry Wives_,--these and other theories
are still debated. The most probable explanation of his departure
is that the stage lured him away, as the printing press called the
young Franklin from whatever else he undertook; for he seems to
have headed straight for the theater, and to have found his place
not by chance or calculation but by unerring instinct. England was
then, as we have noted, in danger of going stage mad, and
Shakespeare appeared to put method into the madness.
[Sidenote: ACTOR AND PLAYWRIGHT]
Beginning, undoubtedly, as an actor of small parts, he soon learned
the tricks of the stage and the humors of his audience. His first
dramatic work was to revise old plays, giving them some new twist
or setting to please the fickle public. Then he worked with other
playwrights, with Lyly and Peele perhaps, and the horrors of his
_Titus Andronicus_ are sufficient evidence of his
collaboration with Marlowe. Finally he walked alone, having learned
his steps, and _Romeo and Juliet_ and _Midsummer Nights
Dream_ announced that a great poet and dramatist had suddenly
appeared in England.
Public-domain text, read in full here on John Shaqi.
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