Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
[Illustration: THE LIBRARY, STRATFORD GRAMMAR SCHOOL ATTENDED BY
SHAKESPEARE]
[Sidenote: PERIOD OF GLOOM]
This experimental period of Shakespeare's life in London was
apparently a time of health, of joyousness, of enthusiasm which
comes with the successful use of one's powers. It was followed by a
period of gloom and sorrow, to which something of bitterness was
added. What occasioned the change is again a matter of speculation.
The first conjecture is that Shakespeare was a man to whom the low
ideals of the Elizabethan stage were intolerable, and this opinion
is strengthened after reading certain of Shakespeare's sonnets,
which reflect a loathing for the theaters and the mannerless crowds
that filled them. Another conjectural cause of his gloom was the
fate of certain noblemen with whom he was apparently on terms of
friendship, to whom he dedicated his poems, and from whom he
received substantial gifts of money. Of these powerful friends, the
Earl of Essex was beheaded for treason, Pembroke was banished, and
Southampton had gone to that grave of so many high hopes, the Tower
of London. Shakespeare may have shared the sorrow of these men, as
once he had shared their joy, and there are critics who assume that
he was personally implicated in the crazy attempt of Essex at
rebellion.
Whatever the cause of his grief, Shakespeare shows in his works
that he no longer looks on the world with the clear eyes of youth.
The great tragedies of this period, _Lear_, _Macbeth_,
_Hamlet_, _Othello_ and _Cæsar_, all portray man not
as a being of purpose and high destiny, but as the sport of chance,
the helpless victim who cries out, as in _Henry IV_, for a
sight of the Book of Fate, wherein is shown
how chances mock,
And changes fill the cup of alteration
With divers liquors! O, if this were seen,
The happiest youth, viewing his progress through,
What perils past, what crosses to ensue,
Would shut the book, and sit him down and die.
[Sidenote: RETURN TO STRATFORD]
For such a terrible mood London offered no remedy. For a time
Shakespeare seems to have gloried in the city; then he wearied of
it, grew disgusted with the stage, and finally, after some
twenty-four years (_cir_. 1587-1611), sold his interest in the
theaters, shook the dust of London from his feet, and followed his
heart back to Stratford. There he adopted the ways of a country
gentleman, and there peace and serenity returned to him. He wrote
comparatively little after his retirement; but the few plays of
this last period, such as _Cymbeline_, _Winter's Tale_
and _The Tempest_, are the mellowest of all his works.
[Sidenote: SHAKESPEARE THE MAN]
Public-domain text, read in full here on John Shaqi.
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