He left the room; and 'Toinette, rising, made a hasty breakfast; and
then, putting on the brocade-silk dress, and placing upon her head
the wreath Giovanni had twisted of natural flowers for her, she
peeped into the glass, and laughed aloud at the fanciful and
beautiful image that met her eyes.
"I am glad I look so pretty," murmured she, with an innocent delight
at her own beauty, that was not vanity, although, it might, if
untrained, lead to it.
"Come, Ciriegia, are you never ready?" called Giovanni from the
other side of the door; and Cherry, running to open it, exclaimed in
Italian,--
"Oh, see, my father! am I not beautiful?"
"Truly so; but you should not say it, bamb¡na. The charm of a maiden
is her modesty," said the Italian gravely.
"But, if it is true, why mustn't I say so?" asked Cherry positively.
"Many things that we know are never to be said, Ciriega. But come,
now: you are to dance first for these people, and they will make no
charge for our beds and the miserable provender they have given us."
As he spoke, Giovanni led the way to the lower hall of the hotel,
where a number of men were lounging, smoking, or talking; while
through the open doors of the parlor and office were to be seen some
ladies and gentlemen, idling away the hour after breakfast, before
proceeding to their business, their journey, or their amusement.
Placing himself in the centre of the hall, Giovanni, with a bow to
the company, played a little prelude, and then struck into the
lively strains of the cachuca.
Cherry, who had stood looking at him, her head slightly bent, her
lips apart, eyes and ears alert to catch the signal to begin,
pointed her little foot at the precise moment, and, holding her
dress in the tips of her slender fingers, slid into the movement
with a grace and accuracy never to be attained except by vigorous
practice, or a temperament as sensitive to time and tune, limbs as
supple, and impulses as graceful, as were those of this gifted and
unfortunate child.
"See there!-the poor little thing!" exclaimed one of the ladies, who
came to the door of the drawing-room to see the performance.
"How can you say poor little thing?" asked another. "Don't you see
how she enjoys it herself? That smile is not the artificial grimace
of a ballet-dancer; and no eyes ever sparkled so joyously to order."
"Perhaps she does enjoy it; but all the more 'Poor little thing!'
say I," rejoined the first speaker, adding thoughtfully, "What sort
of training for a woman is that?"
"Oh, well! but it is very pretty to see her; and she would probably
be running in the streets, or doing worse, if she did not dance; and
so little as she is! It is equal to the theatre."
The speaker drew out her purse as she spoke, and carelessly threw a
dollar-bill towards the child, who had finished her dance, and stood
looking round with an innocent smile, as if asking for applause
rather than reward.
Public-domain text, read in full here on John Shaqi.
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