"That's a good idea. How's the food holding out? There are lots of
people you know up-stairs," she rattled on, for Nancy, who was getting
more and more distraught with each disquieting detail, made no
pretense of answering her. "Dolly has probably kept you informed.
Dick's aunt is here, and that terribly highbrow cousin of Caroline's;
and that good-looking young surgeon that suddenly got so famous last
winter, and admired you so much. Dr. Sunderland--isn't that his name?
I never saw Collier Pratt here for lunch before. There's a little girl
with him, too."
"Collier Pratt?" Nancy cried, "Oh, Betty, he isn't here. He couldn't
be. Don't frighten me with any such nonsense. He never comes here in
the day-time."
"He is though," Betty said, "and a queer-looking little child with
him, a dark-eyed little thing dressed in black satin."
"It seems a good deal to me as if you were making that up," Nancy
cried in exasperation; "it's so much the kind of thing you do make
up."
"I know it," Betty said, unexpectedly reasonable, "but as it happens
I'm not. Collier Pratt really is up-stairs with a poor little orphan
in tow. Ask any one of the girls."
At this moment Dolly, her ribbons awry and her china-blue eyes widened
with excitement, appeared with a dramatic confirmation of Betty's
astonishing announcement.
"There's a little girl took sick from the peaches, and moved up-stairs
in the room next to Gaspard's," she cried breathlessly. "The doctor
that was sitting at the next table, had her moved right up there. He
wants to see the lady that runs the restaurant, and he wants a lot of
hot water in a pitcher, and some baking soda."
"You see," Betty said, "go on up, I'll take your place here. Dolly,
get the things the doctor asked for."
Nancy stripped off her cap and her apron and resigned her spoons and
ladles to Betty without a word. She was still incredulous of what she
would find at the top of the three flights of creaking age-worn stairs
that separated her from the nest of rooms that were the storm quarters
of her hostelry, now converted by a sudden malevolence on the part of
fate into a temporary hospital. As she took the last flight she could
hear Gaspard's stertorous breathing coming at the regular intervals of
distressful slumber, and through that an ominous murmur of grave and
low-voiced conference, such as one hears in the chambers of the dead.
The convulsive application of a powder puff to the tip of her burning
nose--her whole face was aflame with exertion and excitement--was
merely a part of her whole subconscious effort to get herself in hand
for the exigency. Her mind, itself, refused any preparation for the
scene that awaited her.
Public-domain text, read in full here on John Shaqi.
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