Over Bemerton's : $b An easy-going chronicleLucas, E. V. (Edward Verrall)
General
Over Bemerton's : $b An easy-going chronicle
Lucas, E. V. (Edward Verrall)
London (England) -- Social life and customs -- 20th century -- Fiction; Middle-aged men -- Fiction
It is amusing to watch him with his daughters, for although he
disapproves of almost every word that Drusilla says, yet his passion
for intellectual activity makes him secretly far prouder of her than
of Naomi, whom he loves truly enough, but is inclined rather to group
with mere creatures of instinct.
Naomi threw out signals of understanding at once and took me under
her charge, as I have already shown. You leave it to me, she seemed
to say, evidently looking upon me as a foreigner in need of help and
instruction at every turn. Unmarried girls of twenty-nine, if they
have not grown embittered (as they are too apt to do), can be very
administrative and protective. The maternal feeling, I suppose.
With Drusilla, whose blood circulates more in the brain, I have not
hit it off so well, although we are quite friendly. She so clearly
looks upon me pityingly as a trifler and in a sense an ignoramus (for
I had never even heard of John), and she is not yet old enough to see
that England and its needs can perhaps be as well, if not better,
studied from abroad than when one is in the midst. The difference
between Naomi and Drusilla is that Drusilla asks, Naomi gives. Not
the least remarkable thing in this wonderful world in which we grope
and have our being, is the amazing differences that can exist in the
children of the same parents.
With the exception of Frank, the family seems to be incorrigibly
celibate. But of course at every moment lifelong decisions to be
single are being overturned, and one never knows. Drusilla now, I
feel, might easily follow some such remark as "Please pass the salt"
with the statement, made equally coolly, that she was engaged. If
so, it would probably be to a Fabian with long hair, a blue flannel
collar, and a red tie, or some youthful artist whose genius carries
with it a perpetual dispensation from soap and razor. All her
friends seem to be young men of these two brands, who like drawing to
be ugly and poetry to be Irish. I meet her now and then in St.
James's Park with a retinue of them, and we stand on the bridge and
exchange views of life for a few moments or draw each other's
attention to the light over Whitehall and the colour of London. Then
they move off, a little as if they were guests for the Last Supper,
with their brown beards and blue collars, and Drusilla and I walk to
Queen Anne's Gate together.
They are all simple good fellows, in spite of their very patent
atheisms and nihilisms and solemn vows to be married either without a
ceremony at all or in a registry office; but I don't think our little
Drusilla is for any of them. For this new comradeship between young
men and young women is not making for marriage, especially among the
bisexual, as to a certain extent most artists and revolutionaries are.
Public-domain text, read in full here on John Shaqi.
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