Over Paradise Ridge: A RomanceDaviess, Maria Thompson
General
Over Paradise Ridge: A Romance
Daviess, Maria Thompson
Harpeth Valley (Tenn.) -- Fiction; Love stories; Triangles (Interpersonal relations) -- Fiction; Young women -- Fiction
Produced by David Garcia, Edna Badalian and the PG Online Distributed
Proofreading Team. Page images were generously provided by the
Kentuckiana Digital Library.
[Illustration: "I GOT A CALL--A LAND CALL THAT I HAD TO ANSWER."]
PARADISE RIDGE
A ROMANCE
BY
MARIA THOMPSON DAVIESS
AUTHOR OF
"THE MELTING OF MOLLY" ETC.
ILLUSTRATED
TO
BERNICE LANIER DICKINSON
CONTENTS
CHAP.
I. THE BOOK OF FOOD
II. THE BOOK OF SHELTER
III. THE BOOK OF LAUGHTER
IV. THE BOOK OF LOVE
ILLUSTRATIONS
"I GOT A CALL--A LAND CALL THAT I HAD TO ANSWER"
THE BYRD WAS ATTIRED IN MINIATURES OF SAM'S OVERALLS
OVER PARADISE RIDGE
I
THE BOOK OF FOOD
Nobody knows what starts the sap along the twigs of a very young,
tender, and green woman's nature. In my case it was Samuel Foster
Crittenden, though how could he have counted on the amount of
Grandmother Nelson that was planted deep in my disposition, ready to
spring up and bear fruit as soon as I was brought in direct acquaintance
with a seed-basket and a garden hoe? Also why should Sam's return to a
primitive state have forced my ancestry up to the point of flowering on
the surface? I do hope Sam will not have to suffer consequences, but I
can't help it if he does. What's born in us is not our fault.
"Yes, Betty, I know I'm an awful shock to you as a farmer. I ought to
have impressed it on you more thoroughly before you--you saw me in the
act. I'm sorry, dear," Sam comforted me gently and tenderly as I wept
with dismay into the sleeve of his faded blue overalls.
"I can't understand it," I sniffed as I held on to his sustaining hand
while I balanced with him on the top of an old, moss-covered stone wall
he had begged me to climb to for a view of Harpeth Valley which he
thought might turn my attention from him. "Have you mislaid your
beautiful ambitions anywhere?"
"I must have planted them along with my corn crop, I reckon," he
answered, quietly, as he steadied his shoulder against an old oak-tree
that grew close to the fence and then steadied my shoulder against his.
"It is just for a little while, to get evidence about mud and animals
and things like that, isn't it?" I asked, with great and undue
eagerness, while an early blue jay flitted across from tree-top to
tree-top in so happy a spirit that I sympathized with the admiring lady
twit that came from a bush near the wall. "You are going back out into
the world where I left you, aren't you?"
Public-domain text, read in full here on John Shaqi.
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