This dear boat seems to go more slowly every day. At the present rate, I don't think we will land much before Easter! She certainly is nice and steady, though, and if this glorious weather keeps up, I, personally, don't care at all when we get in. It is so warm that it is really ridiculous. Here we are at Christmas season, and yesterday I walked the deck all the morning without even a sweater, my flannel waists being heavy enough, though, to make up for something, I guess. MARJE. V FROM ESTHER December 16 to 31, 1916. DEAREST SISTER:-- From subtle remarks let fall from Father's pen, I take it that my letters have all the charming privacy of Paul's Epistle to the Ephesians. The thought that my recountings are coldly fed to the jaws of a typewriter without so much as considering my editorial "oui" has caused me to give my writing-table as wide a berth as is compatible with the size of this my dominion; but since he at the same time calls me "fatuous child" instead of using the far more obvious and shorter adjective, I say, So be it. The writing-table leads me on in spite of my better self, and I settle myself before this block of cheapest French paper with certain foreknowledge that I shall give birth--this time--to many indiscretions. (Why be called fatuous if you cannot live up to it?) I have an idea of compiling a list of my various friends and associates in a series of descriptions, something like La Bruyere's "Caractères"--only far more interesting. I realize from your letters how stingy I have been in telling you about the pension and the people who have invited me about in Paris, and now that my first fear is dispelled, I shall proceed. My first fear, you see, was that the family would think I was having too good a time and would call me home with dispatch; now that good times manifest themselves in such rarity, I feel free to describe those first weeks of gayety. I shan't mention war or refugees this time, not because I don't every day live and breathe them (sometimes not so pleasant), but because I do. To-night is my night off--this letter is a soirée! My room, my dominion, my home--how I love it! It is fairly large, but larger still is the bed, which is a dominion in itself. Alongside it I am an incident, and alongside of me the piano is an episode. The massive orange armoire, topped by my two suitcases and a hatbox, towers in vain when I look up at it in the early morning from my eider-down fastness--or (see Father) slowness. "My bed is like a little boat" no more than it is like Central Park--in fact, the darling Espagne would seem small beside it. To enter the room, to comb the hair, to wash the hands, to exit from the room, you must insinuate yourself between the bed and the wall. I might say there's no getting around it.