Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918Root, Esther Sayles
History
Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918
Root, Esther Sayles
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
Well, it came. It came the next morning when I was still in bed, and I
had to crawl into my wardrobe trunk while it was being installed. When
the heavy footsteps had echoed down the hall, I sprang forward like any
Eurydice, in my dollar-ninety-eight robe de nuit. I played and played,
and was a little late to the Vestiaire that morning. I had a long hard
day that day, and almost forgot my new treasure until after dinner, when
I sat down on the piano-stool. I was casting about for some music--any
music--to play, when Mlle. Germain, a French girl here, came in and
offered a copy of the Beethoven Symphonies. I struck up the Fifth, and,
believe me, it was like solid ground beneath my feet. Since then I have
eaten up all five--it's only the first book that she has. We went to a
concert given in a little room (I thought it was a bar when I first went
in,--marble-topped tables and men smoking), but there was no symphony. I
haven't had time to go to another lately.
In spite of remembering the Steinway at home, you can imagine how happy
I am with my little piano, even if it does come up barely to my hip. It
is usually out of tune, and is very painful, but the little blind man
comes with his wife and tunes it, and I couldn't send it back. I play
with a bicycle face my whole repertoire;--but I tell you I'm gay, and
I've learned to watch out at the end of the F major étude not to crack
my elbow against the foot of the bed, for I find that my bed gives out a
metallic sound when rapped sharply with a bone. I stick my umbrella into
the brass handle at the side of the piano, and then I have a "piano à
queue"! After a few hours of reading Beethoven, Mlle. Germain and I get
out a piece of French gâteau from the armoire and cut off a couple of
slices with my shoe-horn, and sit around in our pajamas and discuss
music and education and politics--and our complexions. All too soon the
lights go out on us, and she says, "Bon soir, chère Mademoiselle," and
goes off down the hall by the light of her last cigarette. Oh, we do
have good times!
I must tell you about the maids, for they are no inconsiderable part of
my days. There are two femmes de chambre, both small, and dark, and very
young. I was reading in my room one night after I had been here about a
week, when Mélanie came to turn down my bed. I, thinking to turn my
French on any victim, started to ask her questions about where her home
was, etc. She told me that she and Maria were both from the
North--Pas-de-Calais--and that they had had to come to Paris to work
after their husbands had been killed early in the war.
"Husbands!" I said. "Don't tell me you're married?"
"Mais si, Mademoiselle,--Maria has a little boy and I have a little
girl,--they're both three years old. They live with their grandmothers
back home. We can see them only once a year!"
Public-domain text, read in full here on John Shaqi.
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