Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918 — John Shaqi
Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918Root, Esther Sayles
History
Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918
Root, Esther Sayles
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
It was too bad to go down the Gironde at night because they say it is a
grand sight, but we were glad enough to wake up in Bordeaux. We got up
at 5.30 and looked out on the wide flat river, the many boats, and the
picturesque water's edge of the harbor. We packed our last things, had a
farewell tour de force with the femme de chambre, flew around saying
good-bye to everybody, and then stood in line to see the préfet de
police. Right here I want to say that of all the fairy tales that were
told me, the ones about the difficulties of getting to Paris were the
most fantastic. There were a good many tiresome details: I had to show
our passports everywhere, but everything went smoothly, and every one
was most polite. I wish I could tell you the thousand and one funny
things that happened in leaving the boat. How we hated to leave that
darling stateroom and the still darlinger Espagne. You know my penchant
for everything Spanish, and I knew when I first heard that name at
Bailey's that it was the boat for me; and it was.
You remember the confusion and perfect riotousness of landing. I managed
my own things, which in itself is no joke. I had to get my stuff
together, have it examined, weighed, and checked, send my cable, and
telegraph Miss Curtis, pay my excess, and buy my railroad ticket, find a
carriage, and leave that dock. It sounds simple, but with a million
people all hurrying to do it at once and nothing but rapid-fire French
going on,--I got a few short circuits that were disastrous,--it was
dreadful (but often very funny) and took nearly two hours.
The customs inspector was a woman and pleasant as anything. I never even
unlocked my trunk and she just poked at my suitcases.
How can I describe Bordeaux as we saw it through that musty cab window?
Low and little and picturesque. It was like stepping into a stereopticon
picture and finding it alive. Little houses and shops, with bright signs
all in French, and foreign-looking people in the streets, and many
soldiers and many, many widows. Queer-painted carts and little houses
and little narrow alleys with uneven houses, dark and aged, huddled
together with lights over the doors--you know what I mean--adorable. The
town itself is quite a place--good hotels and shops and cafés, with blue
and red and yellow wicker chairs and tables on the sidewalk.
We piled our luggage in the lobby of the hotel and then filed into a
dismal parlor and faced one another over a marble table (for ornament
only). I was ready for bed and it was quarter of ten. The train for
Paris left at one--three hours to wait and we so tired we couldn't
budge. How that parlor rocked and reeled after the steamer! Mrs. Bigelow
said, "This is France." It made me think of "As You Like It" where
Rosalind and Celia and Touchstone arrive in the forest.
Public-domain text, read in full here on John Shaqi.
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