Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918Root, Esther Sayles
History
Over Periscope Pond : $b Letters from two American girls in Paris October 1916-January 1918
Root, Esther Sayles
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
I was expecting to fall into Miss Curtis's arms, but it would have been
an empty fall, for she wasn't there. I didn't know, when I wired her,
that there were two stations, so I suppose she didn't know which to
choose. I could have gone with Mrs. Bigelow and the others, but I
thought Miss Curtis would have engaged a room for me here, so I wanted
to try this place, anyway. One of the Ambulance men, Mr. Baxter, offered
to bring me here and see me installed. There were no taxis left, and it
was still drizzling, and you know my luggage,--the eleventh hour Altman
winter flannels boiling out of the carryall with price-marks dangling
and soiled from constant exposure,--and me tired and dirty with the ship
still going round in my head, standing alone by a dark and empty
cabstand at 10.30 p.m. in Paris, the unknown. The others all rattled
off, and Mr. Baxter disappeared to find a taxi, and I sidled up behind a
big French soldier for comfort. I saw the fat French woman to say
good-bye and thanked her for being so bien gentille to me. I told her
that "elle m'avait fait senter la bien venue en France," which was
rotten French, and she said, "Mais Mlle. est si aimable." I could have
hugged her, and I felt as though she were a great big mother, twice,
three times, your size, Mother.
Mr. Baxter manufactured a taxi out of nothing and we bundled in the bag
and baggage without any idea how far our place was from the Quai
d'Orsai. It was nice to be on terra-cotta--to be in a place where you
don't have to show your birth certificate before you can order an egg,
as he said. The only thing that any one has told me that's true is that
Paris is dark. I don't see how the taxi-men can drive at all. We rattled
along, and finally came to a street that looked like a tunnel--a faint
light at the other end--that's all. At the very blackest point we
stopped, the driver said, "C'est l'hôtel," and by the light of a match
we could see a black sign with gold letters beside a door that looked
like the door of a stable, saying that, indeed, it was Hôtel des St.
Pères--but oh, so dark. It looked as though Louis Treize's sub-valet de
chambre had boarded it up and gone away and that no one had ever been
there since. We knocked and knocked, and after ages we heard a shuffling
step and the great black doors swung open. There stood the sleepiest,
wall-eyed person, almost entirely covered by a big spotted butcher's
apron. I asked in uncertain tones if they had place for Miss Root, and
he shook his head and I asked if he knew Miss Curtis, and he said no,
and then I asked if I could get a room. It was the most awful-looking
place. I didn't know just what to do. He made for a dark flight of
stairs,--the janitor, I mean,--and I started to follow him. I asked Mr.
Baxter if he supposed the janitor was a concierge, and he told me that
jardinière was the nearest he could get to it. Upstairs we went on
dark-red carpet, past maroon walls--up and up and up. Very high ceilings
Public-domain text, read in full here on John Shaqi.
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