Over Strand and Field: A Record of Travel through BrittanyFlaubert, Gustave
General
Over Strand and Field: A Record of Travel through Brittany
Flaubert, Gustave
Brittany (France) -- Description and travel
After following a long wall, we entered through an old door into a
silent farm-yard. Silica here and there shows through the beaten ground,
on which grows a little grass soiled by manure. There was nobody around
and the stable was empty. In the barns some chickens were roosting on
the poles of the wagons, with their heads under their wings. Around the
buildings, the sound of our footsteps was deadened by the dust
accumulated from the straw in the lofts.
Four large towers connected by curtains showed battlements beneath their
pointed roofs; the openings in the towers, like those in the main part
of the castle, are small, irregular windows, which form uneven black
squares on the grey stones. A broad stoop, comprising about thirty
steps, reaches to the first floor, which has become the ground-floor of
the interior apartments, since the trenches have been filled up.
The yellow wall-flower does not grow here, but instead, one finds
nettles and lentisks, greenish moss and lichens. To the left, next to
the turret, is a cluster of chestnut-trees reaching up to the roof and
shading it.
After the key had been turned in the lock and the door pushed open with
kicks, we entered a dark hallway filled with boards and ladders and
wheelbarrows.
This passage led into a little yard enclosed by the thick interior walls
of the castle. It was lighted from the top like a prison yard. In the
corners, drops of humidity dripped from the stones. We opened another
door. It led into a large, empty, sonorous hall; the floor was cracked
in a hundred places, but there was fresh paint on the wainscoting.
The green forest opposite sheds a vivid reflection on the white walls,
through the large windows of the castle. There is a lake and underneath
the windows were clusters of lilacs, petunia-blossoms and acacias, which
have grown pell-mell in the former parterre, and cover the hill that
slopes gradually to the road, following the banks of the lake and then
continuing through the woods.
The great, deserted hall, where the child who afterwards wrote _René_,
used to sit and gaze out of the windows, was silent. The clerk smoked
his pipe and expectorated on the floor. His dog, which had followed him,
hunted for mice, and its nails clicked on the pavement.
We walked up the winding stairs. Moss covers the worn stone steps.
Sometimes a ray of light, passing through a crack in the walls, strikes
a green blade and makes it gleam in the dark like a star.
We wandered through the halls, through the towers, and over the narrow
curtain with its gaping machicolations, which attract the eye
irresistibly to the abyss below.
Public-domain text, read in full here on John Shaqi.
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