Over Strand and Field: A Record of Travel through BrittanyFlaubert, Gustave
General
Over Strand and Field: A Record of Travel through Brittany
Flaubert, Gustave
Brittany (France) -- Description and travel
On the second floor is a small room which looks out into the inside
courtyard and has a massive oak door that closes with a latch. The beams
of the ceiling (you can touch them), are rotten from age; the
whitewashed walls show their lattice-work and are covered with big
spots; the window-panes are obscured by cobwebs and their frames are
buried in dust. This used to be Chateaubriand's room. It faces the West,
towards the setting sun.
We continued; when we passed in front of a window or a loop-hole, we
warmed ourselves in the warm air coming from without, and this sudden
transition rendered the ruins all the more melancholy and cheerless. The
floors of the apartments are rotting away, and daylight enters through
the fireplaces along the blackened slab where rain has left long green
streaks. The golden flowers on the drawing-room ceiling are falling off,
and the shield that surmounts the mantelpiece is broken into bits. While
we were looking around, a flight of birds entered, flew around for a few
minutes and passed out through the chimney.
In the evening, we went to the lake. The meadow has encroached upon it
and will soon cover it entirely, and wheat will grow in the place of
pond-lilies. Night was falling. The castle, flanked by its four turrets
and framed by masses of green foliage, cast a dark shadow over the
village. The setting sun made the great mass appear black; the dying
rays touched the surface of the lake and then melted in the mist on the
purplish top of the silent forest.
We sat down at the foot of an oak and opened _René_. We faced the lake
where he had often watched the nimble swallow on the bending reeds; we
sat in the shadow of the forest where he had often pursued rainbows over
the dripping hills; we harkened to the rustling of the leaves and the
whisperings of the water that had added their murmur to the sad melody
of his youth. As the darkness gathered on the pages of the book, the
bitterness of its words went to our hearts, and we experienced a
sensation of mingled melancholy and sweetness.
A wagon passed in the road, and the wheels sank in the deep tracks. A
smell of new-mown hay pervaded the air. The frogs were croaking in the
marshes. We went back.
The sky was heavy and a storm raged all night. The front of a
neighbouring house was illumined and flared like a bonfire at every
flash of lightning. Gasping, and tired of tossing on my bed, I arose,
lighted a candle, opened the window and leaned out.
The night was dark, and as silent as slumber. The lighted candle threw
my huge shadow on the opposite wall. From time to time a flash of
lightning blinded me.
I thought of the man whose early life was spent here and who filled half
a century with the clamouring of his grief.
Public-domain text, read in full here on John Shaqi.
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