American fiction -- 20th century; Short stories, American
At the proper age and condition he developed the usual habit of forming
mental pictures while looking into a grate fire, and enjoyed the usual
introspective calm and comfort therein; but in him, the primordial
inheritance also found expression at an age so early that it might
have formed a part of his infant reproduction of the Stone Age. From
the time he could crawl he loved the fire with the fixed, passionate
devotion of the cat, and, like the cat, he would lie contentedly for
hours on the rug before the hearth, or, to the scandal of the cook,
remove the kitchen stove lids and scorch his face over the glowing
coals.
He seemed to possess a salamander-like immunity from its effects;
again and again he was burned, but never to the point of fear, utterly
disproving the theory that burned children dread the fire. He loved
fire, and played with it, setting the carpet of his play-room in flames
at the age of three. At five he had made a bonfire of his toys, at
seven burned the barn down, and at ten was a past master in the art of
building camp fires in the woods--fires without smoke, fires of green
wood, wet wood, and rotten wood; fires of great heat and little flame,
and fires that went out without constant attention.
In playing Indian he was a valuable comrade, and though we did not meet
until the mutations of schoolboy life brought us together in the same
class--his early history coming to me later--I found this proficiency
the one asset in George Morton's character. He was a high-strung,
nervous lad, morbid and erratic at times, cowardly except in reference
to fire, and a bully when he dared be. He even lacked the school-boy's
sense of honor, which permits stealing anything eatable, and lying for
any purpose except self-defense.
Our first meeting was momentous, determining and fixing our mutual
attitude, and our nearly common interest in a third person, who was
to strongly influence us both. I was crossing a vacant lot which was
part of his wealthy father's property when I found him tormenting a
small girl of four. He had rigged her doll to the tail of his kite,
and was laughing gleefully at her anguish as the inanimate pet soared
aloft. I claim no chivalric impulses at the time; I was bad boy of the
village--a title I had earned by my health, strength, and willingness
to fight--and here was a chance for a fight.
A short conflict ended in victory for me and a new emotion born of
the child's happy smile as the doll was restored to her arms. It was
solely paternal and protective in its nature, and had I not taken note
of the wonderful beauty of the tot it would have remained so; but the
pure little face stamped itself on my mind as an earthly picture of
the super-human, and, though it made no sexual appeal, it protected me
for years against the love affairs of boyhood and youth. She became my
goddess, and has remained so.
Public-domain text, read in full here on John Shaqi.
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