Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Historical fiction
On none of the vast visible throng had the effective oration exercised
greater power than upon an unseen listener. The awed stillness was
suddenly broken by a splintering crash, and the startled audience,
looking up, saw the frail lattice work of the alcove shattered, and
the King standing there like a ghost enframed by jagged laths. Stern
determination sat on that handsome countenance; a look which said as
plainly as words, “_This man shall not die!_” His hands clutched the
broken framework beneath him, and he moistened his lips as if to give
utterance to the words his expression foreshadowed. But before he could
speak, a tall, angular figure sprang out from among the Commons and held
up a sinewy hand. His face was ablaze with anger; his stentorian voice
dominated the Hall, envenomed with hatred, striking the ear with terror
as does the roar of a tiger.
“The might of England, in Parliament assembled, gives judgment
untrammeled and unafraid. The King is not here. The King cannot be here.
The Throne is vacant, and must remain vacant until justice is done.”
As the last words rang out, the long index finger, shaken menacingly,
pointed at the empty chair. There was defiance of King or Minister in
words, and tone and gesture; a challenge to the Throne. The pale face of
the King became ghastly white, his hand trembled, and fragments of the
lattice-work fell from beneath it. Irresolution took the place of
former determination, and he glanced pitifully from right to left, as if
seeking human support, of which, in the amazed stillness, there was no
indication. Then the fine white hand of an unseen woman showed for
a moment on his arm like a snow-flake, and Charles, with one look of
haunting compassion on the prisoner, disappeared from sight. The phantom
picture had vanished from its ragged frame without a sound, and blank
darkness occupied its place. Truly the King was not present, conjured
away by the strenuous hand of the fierce combatant on the stage, and the
soft hand of the woman behind the scenes.
“Who is that man?” whispered Frances, gazing in frightened fascination
on the rude interrupter.
“That is John Pym, the chief prosecutor and deadly personal enemy of
Lord Strafford.”
As the girl gazed at this dominating individuality, all the froth of
confidence in her father’s acquittal, whipped up by the chatter of
conversation at the beginning, evaporated. There stood the personified
hatred of England against the Earl of Strafford. No wavering in accent
or action there, but a determined man, knowing what he wanted and bent
on having it. To her excited imagination the resolute face took on the
semblance of a death-mask, and the clenched hand seemed to grasp the
shaft of an axe. It was as if the headsman had suddenly stood forth and
claimed his own, and a chill as of the grave, swept over the audience
with a shudder in its wake.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account