Great Britain -- History -- Charles I, 1625-1649 -- Fiction; Historical fiction
William Armstrong rode his splendid black steed like one more
accustomed to the polishing of saddle-leather than to the wearing out
of the same material in the form of boots. Horse and man were so subtly
suited, each to each, that such another pair might well have given to
some early artist the first idea of a centaur. Armstrong was evidently
familiar with the district he traversed, for he evinced no surprise
when, coming to the crown of a height, he saw in the valley below him
a one-storied stone building, whose outhouses and general surroundings
proclaimed it a solitary inn, but the horse, less self-contained, and
doubtless more fatigued, thrust forward his ears and gave utterance to
a faint whinny of pleasure at the near prospect of rest and refreshment.
The hand of the rider affectionately stroked and patted the long black
mane, as if in silent corroboration of the animal’s eager anticipations.
The young man was as fair as his mount was dark. A mass of yellow hair
flowed out from under his Scot’s bonnet and over his broad shoulders.
A heavy blonde moustache gave him a semi-military air; a look of the
cavalier; as if he were a remnant of that stricken band across the
border which was fighting for King Charles against daily increasing
odds; but something of jaunty self-confidence in Armstrong’s manner
betokened that the civil war raging in England was no concern of his, or
that, if he took any interest in it, his sympathies inclined toward the
winning side, as indeed was the case with many of his countrymen. His
erect bearing, body straight as one of his native pines, enhanced the
soldier-like appearance of the horseman, and it needed but a glance at
his clear-skinned but resolute face and powerful frame to be convinced
that he would prove a dangerous antagonist to meet in combat, while
the radiant good-nature of his frank countenance indicated a merciful
conqueror should victory fall to him, as seemed likely unless the odds
were overwhelming.
Both prowess and geniality were on the instant of being put to the
test as he approached the inn, where a wayfarer is usually certain of
a welcome if he has but money in his pouch. A lanceman, his tall weapon
held upright, stepped out into the road from the front of the closed
door before which he had been standing, when he saw that the traveller
was about to halt and dismount.
“Ye’ll be fur dawnerin’ on a bit faurer forret,” hinted the sentinel in
a cautious, insinuating manner, as if he were but giving expression to
the other’s unspoken intention.
“A wise man halts at the first public-house he comes to after the sun is
down,” replied Armstrong.
“Ah’m thinkin’ a man’s no verra wise that stops whaur he’s least wanted,
if them that’s no wantin’ him has good airn in their hauns.”
“Aye, my lad, steel ’s a bonny argument, rightly used. Whut’s a’ th’
steer here, that a tired man, willin’ to pay his way, is sent doon th’
rod?”
Public-domain text, read in full here on John Shaqi.
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