The horror of what might have happened, the splendour of what did happen, mingle in the awed mind as you look over the city from the balcony. The city escaped. And the event seems vaster and more sublime than the mind can bear. The streets of Paris have now a perpetual aspect of Sunday morning; only the sound of church-bells is lacking. A few of the taxi- cabs have come back; but all the auto-buses without exception are away behind the front. So that the traffic is forced underground, where the railways are manned by women. A horse-bus, dug up out of the past, jogs along the most famous boulevard in the world like a country diligence, with a fat, laughing peasant-woman clinging to its back-step and collecting fare-moneys into the immense pocket of her black apron. Many of the most expensive and unnecessary shops are shut; the others wait with strange meekness for custom. But the provision shops and all the sturdy cheap shops of the poor go on naturally, without any self-consciousness, just as usual. The pavements show chiefly soldiers in a wild, new variety of uniforms, from pale blue to black, imitated and adapted from all sources, and especially from England--and widows and orphans. The number of young girls and women in mourning, in the heavy mourning affected by the Latin race, is enormous. This crape is the sole casualty list permitted by the French War Office. It suffices. Supreme grief is omnipresent; but it is calm, cheerful, smiling. Widows glance at each other with understanding, like initiates of a secret and powerful society. Never was Paris so disconcertingly odd. And yet never was it more profoundly itself. Between the slow realisation of a monstrous peril escaped and the equally slow realisation of its power to punish, the French spirit, angered and cold, knows at last what the French spirit is. And to watch and share its mood is positively ennobling to the stranger. Paris is revealed under an enchantment, On the surface of the enchantment the pettinesses of daily existence persist queerly.