Over There: War Scenes on the Western FrontBennett, Arnold
History
Over There: War Scenes on the Western Front
Bennett, Arnold
Bennett, Arnold, 1867-1931; World War, 1914-1918 -- Personal narratives, British
For do not forget that this quarter accurately represents what the
Germans came out of Germany into France deliberately to do. This
material devastation, this annihilation of effort, hope, and love, this
substitution of sorrow for joy--is just what plans and guns were laid
for, what the worshipped leaders of the Fatherland prepared with
the most wanton and scientific solicitude. It is desperately cruel. But
it is far worse than cruel--it is idiotic in its immense futility. The
perfect idiocy of the thing overwhelms you. And to your reason it is
monstrous that one population should overrun another with murder
and destruction from political covetousness as that two populations
should go to war concerning a religious creed. Indeed, it is more
monstrous. It is an obscene survival, a phenomenon that has
strayed through some negligence of fate, into the wrong century.
Strange, in an adjoining quarter, partly but not utterly destroyed, a
man is coming home in a cab with luggage from the station, and the
servant-girl waits for him at the house-door. And I heard of a case
where a property-owner who had begun to build a house just before
the war has lately resumed building operations. In the Esplanade
Ceres the fountain is playing amid all the ravage; and the German
trenches, in that direction, are not more than two miles away.
It is quite impossible for any sane man to examine the geography of
the region of destruction which I have so summarily described
without being convinced that the Germans, in shelling it, were simply
aiming at the Cathedral. Tracing the streets affected, one can follow
distinctly the process of their searching for the precise range of the
Cathedral. Practically the whole of the damage is concentrated on
the line of the Cathedral.
But the Cathedral stands.
Its parvis is grass-grown; the hotels on the parvis are heavily
battered, and if they are not destroyed it is because the Cathedral
sheltered them; the Archbishop's palace lies in fragments; all
around is complete ruin. But the Cathedral stands, high above the
level of disaster, a unique target, and a target successfully defiant.
The outer roof is quite gone; much masonry is smashed; some of
the calcined statues have exactly the appearance of tortured human
flesh. But in its essence, and in its splendid outlines, the building
remains--apparently unconquerable. The towers are particularly
serene and impressive. The deterioration is, of course,
tremendously severe. Scores, if not hundreds, of statues, each of
which was a masterpiece, are spoilt; great quantities of carving are
defaced; quite half the glass is irremediably broken; the whole of
the interior non-structural decoration is destroyed. But the
massiveness of the Cathedral has withstood German shrapnel. The
place will never be the same again, or nearly the same.
Nevertheless, Rheims Cathedral triumphantly exists.
Public-domain text, read in full here on John Shaqi.
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