When, however, you actually reach Arras you cannot be deceived for an instant as to what has happened to the place. It offers none of the transient illusion of Rheims. The first street you see is a desolation, empty and sinister. Grimy curtains bulge out at smashed windows. Everywhere the damage of shells is visible. The roadway and the pavements are littered with bits of homes. Grass flourishes among the bits. You proceed a little further to a large, circular place, once imposing. Every house in it presents the same blighted aspect. There is no urban stir. But in the brief intervals of the deafening cannonade can be heard one sound--blinds and curtains fluttering against empty window-frames and perhaps the idle, faint banging of a loose shutter. Not even a cat walks. We are alone, we and the small group of Staff officers who are acting as our hosts. We feel like thieves, like desecrators, impiously prying. At the other side of the place a shell has dropped before a house and sliced away all its front. On the ground floor is the drawing-room. Above that is the bedroom, with the bed made and the white linen smoothly showing. The marvel is that the bed, with all the other furniture, does not slide down the sloping floor into the street. But everything remains moveless and placid. The bedroom is like a show. It might be the bedroom of some famous man exposed to worshipping tourists at sixpence a head. A few chairs have fallen out of the house, and they lie topsy-turvy in the street amid the debris; no one has thought to touch them. In all directions thoroughfares branch forth, silent, grass-grown, and ruined. "You see the strong fortress I have!" says the Commanding Officer with genial sarcasm. "You notice its high military value. It is open at every end. You can walk into it as easily as into a windmill. And yet they bombard it. Yesterday they fired twenty projectiles a minute for an hour into the town. A performance absolutely useless! Simple destruction! But they are like that!"