A few years ago Ivan Mestrovic crossed the Atlantic with his wonderful
people of wood and stone, and in America thousands have gazed on his
work and admired and wondered how one man, scarcely yet in middle life,
could have done so much work and all of such high quality. In 1924 a
Mestrovic exhibition was held at the Brooklyn Museum. The triumphs
the sculptor scored at Rome were repeated at Brooklyn. It is safe to
say that no sculptor of modern times has won greater laurels than
Mestrovic and no one can foretell what wonderful things this Serbian
genius may yet accomplish.
Away in the far-off hills of Serbia, the peasants still tend their
flocks of sheep on the rugged hillsides, and at night, when the day’s
work is over, they still gather around the fireside and tell thrilling
tales of Serbian heroes, but of one thing we may be sure: they have
added a new hero to their list. They tell of a peasant boy who, not so
many years ago, watched his father’s sheep and dreamed of what he would
like to do and of how he has made his dreams come true.
CHAPTER XII
THE BOY WHOSE DIFFICULTIES MADE HIM DETERMINED TO SUCCEED
Among the flood of European immigrants that came to America in the
early seventies of last century, was a family from Alsace-Lorraine,
named Kindleberger. There were several small children in the family and
they were all well used to hardship for they had never known anything
but poverty. After three or four years of changing around the family
finally settled in West Carrollton, Ohio, where the father obtained
work in the paper-mills.
The third in the group of seven children was named Jacob and as soon as
he was ten he was sent to work in the mills where he earned twenty-five
cents a day. One week he would be on the day shift, and a day’s work
meant thirteen long hours. The following week he worked on the night
shift which lasted twelve hours. The mills were poorly ventilated, dark
and cheerless, and if young Jacob ever lagged behind in his work his
ears were soundly boxed or he was given a kick. Enormous quantities of
rags were brought to the mills to go through the process which would
make them into paper. At first Jacob’s work was to cut the buttons from
the rags. This work had to be done very carefully. Not one button must
be allowed to go through the machine, or paper would be ruined. Jacob
was severely handicapped for doing this work because of his defective
eyesight. His eyes were so poor that he could not easily distinguish
buttons from rags, so he trained himself to work by touch. As swiftly
as he could the half-blind boy toiled away, terrified lest he should
allow buttons to get into the machine, but taking his punishment when
it came, without whimpering. For a long time his wages remained at
twenty-five cents per day, but even that small amount was sorely needed
in the Kindleberger home, where there was a constant struggle against
actual want.
Public-domain text, read in full here on John Shaqi.
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