Now for an opportunity to lead Clara astray. The region was favorable;
they were in an arid land of ragged sandstone spurs and buttes; it would
be necessary to march until near sunset, in order to find water and
pasturage. Consequently there was both time and scenery for his project.
Late in the afternoon the train crossed a narrow _mesa_ or plateau, and
approached a sublime terrace of rock which was the face of a second
table-land. This terrace was cleft by several of those wonderful grooves
which are known as cañons, and which were wrought by that mighty
water-force, the sculpturer of the American desert. In one place two of
these openings were neighbors: the larger was the route and the smaller
led nowhere.
"Let the train pass on," suggested Coronado to Clara. "If you will ride
with me up this little cañon, you will find some of the most exquisite
scenery imaginable. It rejoins the large one further on. There is no
danger."
Clara would have preferred not to go, or would have preferred to go with
Thurstane.
"My dear child, what do you mean?" urged Aunt Maria, looking out of her
wagon. "Mr. Coronado, I'll ride there with you myself."
The result of the dialogue which ensued was that, after the train had
entered the gorge of the larger cañon, Coronado and Clara turned back and
wandered up the smaller one, followed at a distance by Texas Smith. In
twenty minutes they were separated from the wagons by a barrier of
sandstone several hundred feet high, and culminating in a sharp ridge or
frill of rocky points, not unlike the spiny back of a John Dory. The
scenery, although nothing new to Clara, was such as would be considered in
any other land amazing. Vast walls on either side, consisting mainly of
yellow sandstone, were variegated with white, bluish, and green shales,
with layers of gypsum of the party-colored marl series, with long lines of
white limestone so soft as to be nearly earth, and with red and green
foliated limestone mixed with blood-red shales. The two wanderers seemed
to be amid the landscapes of a Christmas drama as they rode between these
painted precipices toward a crimson, sunset.
It was a perfect solitude. There was not a breath of life besides their
own in this gorgeous valley of desolation. The ragged, crumbling
battlements, and the loftier points of harder rock, would not have
furnished subsistence for a goat or a mouse. Color was everywhere and life
nowhere: it was such a region as one might look for in the moon; it did
not seem to belong to an inhabited planet.
Public-domain text, read in full here on John Shaqi.
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