Overshadowed: A NovelGriggs, Sutton E. (Sutton Elbert)
General
Overshadowed: A Novel
Griggs, Sutton E. (Sutton Elbert)
African Americans -- Fiction
XV. An Awful Resolve
XVI. A Political Trick
XVII. Paving the Way
XVIII. John Wysong Confesses
XIX. Added Sorrows
XX. Speaker Lanier
XXI. The Hanging
XXII. Worse than Death
XXIII. Full of Joy
XXIV. Opposing the Wedding
XXV. Erma and an Assassin
XXVI. Name the Chapter After you Read It
XXVII. The Funeral
PROEM.
A farmer who is planting corn in a fertile field, halts beneath the
shade of a huge oak to rest at noon.
Accidentally a grain of corn drops from his bag, finds lodgement in the
soil, and in time begins to grow.
The grains that fell in the field will have their difficulties in
reaching maturity.
There is the danger of too much water, of the drought, of the coming
worms.
But the grain that came to life under the oak has its _peculiar_
struggles.
It must contend for sustenance with the roots of the oak.
It must wrestle with the shade of the oak.
The life of this isolated grain of corn is one continuous tragedy.
OVERSHADOWED is the story of this grain of corn, the Anglo-Saxon being
the oak, and the Negro the plant struggling for existence.
To be true to life, the story must indeed be a sombre one.
So, OVERSHADOWED is a tragedy--a story of sorrow and suffering.
Yet the gloom is enlivened by the presence of a heroic figure, a
beautiful, noble girl, who stands unabashed in the presence of every
ill.
OVERSHADOWED does not point the way out of the dungeon which it
describes, but it clearly indicates the task before the reformer when he
comes.
If you have time and inclination for such a recital--the curtain rises
and the play begins.
OVERSHADOWED.
CHAPTER I.
A GIRL, PERPLEXED.
To-and-fro, to-and-fro, with hurried, restless tread, Erma Wysong walked
her parlor floor, forgetful of the young man who sat in a corner and
gazed at her, with all of his powers of sight apparently doing double
duty. Her hair, slightly coarse of thread, glistening as if in pride of
its extreme blackness, was combed away from a brow that was exceedingly
pretty and formed a part of a head that forewarned you to expect the
possessor thereof to have an intellect of a very high order. A few
unruly locks of her glossy hair had escaped from the grasp confining the
others backward, and were hanging forward as if to peep into her tender
brown eyes so full of soul; or, to tantalize a very prettily formed
nose; or, to tempt a bite from a row of pearls even and gleamingly
white; or, to nestle upon a cheek the tenderness and ruddiness of which
were standing invitations for gentle pressure.
Erma, nearly tall, a happy medium between the plump and the lithe, the
perfection of symmetry, her whole frame a series of divinely fashioned
curves, paced to and fro, her beautiful face wearing a look of mental
perplexity. First her right hand and then her left tossed back with a
nervous jerk the straying locks.
Public-domain text, read in full here on John Shaqi.
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