Overtones, a book of temperaments : $b Richard Strauss, Parsifal, Verdi, Balzac, Flaubert, Nietzsche, and TurgénieffHuneker, James
Philosophy
Overtones, a book of temperaments : $b Richard Strauss, Parsifal, Verdi, Balzac, Flaubert, Nietzsche, and Turgénieff
Huneker, James
Music
Some people wonder at Socrates who died and did not care to flee
from prison. But is it not better to die consciously in fulfilment
of one’s duty than unexpectedly from some stupid bacteria? And I
have always been surprised that so clever a man as Turgénieff
should bear himself as he did toward death. He was awfully afraid
of death. Is it not even incomprehensible that he was not afraid
to be afraid of death? And that darkness of reason was really
astonishing in him! He and Prince D. D. Urusoff used to discuss
religion, and Turgénieff used to dispute and dispute, and all of
a sudden he would no longer be able to control himself, and would
cover up his ears, and, pretending that he had forgotten Urusoff’s
name, would shout, “I won’t listen any longer to that Prince
Trubetzkoy.”
And Tolstoy mimicked Turgénieff’s voice until one would have
thought the man was there in person.
Turgénieff first met de Maupassant in 1876. “A door opened. A
giant came in—a giant with a silver head, as they would say in
a fairy tale.” Thus the younger describes the elder man. M.
Halperine-Kaminsky has set at rest the disquieting rumors of certain
alleged strictures upon his friends, said to have been made by
Turgénieff in letters to Sacher-Masoch. Daudet finally declared that
he did not believe their validity. “Turgénieff was not a hypocrite,”
he wrote to Kaminsky. The Slavic temperament is difficult of
decipherment. Especially difficult was Turgénieff. The shining and
clear surfaces of his art covered depths undreamed of by his Parisian
friends. Mr. James speaks of his reservations and discriminations and
“above all the great back garden of his Slav imagination and his
Germanic culture, into which the door constantly stood open, and the
grandsons of Balzac were not, I think, particularly free to accompany
him.” M. Renan voices it better in his speech over the dead body of
the great Russian. “Turgénieff,” Mr. James translates it, “received
by the mysterious decree which marks out human vocations the gift
which is noble beyond all others. He was born essentially impersonal.
His conscience was not that of an individual to whom nature had
been more or less generous; it was in some sort the conscience of
a people. Before he was born he had lived for thousands of years;
infinite successions of reveries had amassed themselves in the depths
of his heart. No man has been as much as he the incarnation of a
whole race; generations of ancestors lost in the sleep of centuries,
speechless, came through him to life and utterance.” This one, said
to be lacking in the core of patriotism, could write:—
“In days of doubt, in days of anxious thought on the destiny of my
native land, thou alone art my support and my staff. Oh, great,
powerful, Russian tongue, truthful and free! If it were not for thee
how should not man despair at the sight of what is going on at home?
But it is inconceivable that such a language has not been given to
great people.”
Public-domain text, read in full here on John Shaqi.
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