Banks and banking -- Fiction; England -- Social life and customs -- 19th century -- Fiction; Love stories
For at this moment he felt that he had it in him to work miracles. The
greatest things seemed easy. The fortunes of Ovington’s lay in the
future, the cycle half turned—to what a point might they not carry
them! During the last twelve months he had seen money earned with an
ease which made all things appear possible; and alert, eager, sanguine,
with an inborn talent for business, he felt that he had but to rise
with the flowing tide to reach any position which wealth could offer in
the coming age—that age which enterprise and industry, the loan, the
mill, the furnace were to make their own. The age of gold!
He burst into song. He stopped. “Betty!” he cried.
“Who is that rude boy?” the girl retorted, appearing on the stairs
above him.
He bowed with ceremony, his hand on his heart, his eyes dancing. “You
see before you the Industrious Apprentice!” he said. “He has received
the commendation of his master. It remains only that he should lay his
success at the feet of—his master’s daughter!”
She blushed, despite herself. “How silly you are!” she cried. But when
he set his foot on the lowest stair as if to join her, she fled nimbly
up and escaped. On the landing above she stood. “Congratulations, sir,”
she said, looking over the balusters. “But a little less forwardness
and a little more modesty, if you please! It was not in your articles
that you should call me Betty.”
“They are cancelled! They are gone!” he retorted. “Come down, Betty!
Come down and I will tell you such things!”
But she only made a mocking face at him and vanished. A moment later
her voice broke forth somewhere in the upper part of the house. She,
too, was singing.
CHAPTER VI
Between the village and Garth the fields sank gently, to rise again to
the clump of beeches which masked the house. On the farther side the
ground fell more sharply into the narrow valley over which the Squire’s
window looked, and which separated the knoll whereon Garth stood from
the cliffs. Beyond the brook that babbled down this valley and turned
the mill rose, first, a meadow or two, and then the Thirty Acre covert,
a tangle of birches and mountain-ashes which climbed to the foot of the
rock-wall. Over this green trough, which up-stream and down merged in
the broad vale, an air of peace, of remoteness and seclusion brooded,
making it the delight of those who, morning and evening, looked down on
it from the house.
Viewed from the other side, from the cliffs, the scene made a different
impression. Not the intervening valley but the house held the eye. It
was not large, but the knoll on which it stood was scarped on that
side, and the walls of weathered brick rose straight from the rock,
fortress-like and imposing, displaying all their mass. The gables and
the stacks of fluted chimneys dated only from Dutch William, but
tradition had it that a strong place, Castell Coch, had once stood on
the same site; and fragments of pointed windows and Gothic work, built
into the walls, bore out the story.
Public-domain text, read in full here on John Shaqi.
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