taken his degree. These suppers were not voluntary entertainments, but
enforced by law. At supper the talk ranges over University gossip, they
tell of the scholar who lately tried to raise the devil in Grope Lane,
and was pleased by the gentlemanly manner of the foul fiend. They speak
of the Queen’s man, who has just been plucked for maintaining that _Ego
currit_, or _ego est currens_, is as good Latin as _ego curro_. Then the
party breaks up, and Stoke goes towards Merton, with some undergraduates
of that college, Bridlington, Alderberk, and Lymby. At the corner of
Grope Lane, out come many men of the Northern nations, armed with
shields, and bows and arrows. Stoke and his friends run into Merton for
weapons, and ‘standing in a window of that hall, shot divers arrows, and
one that Bridlington shot hit Henry de l’Isle, and David Kirkby
unmercifully perished, for after John de Benton had given him a dangerous
wound in the head with his faulchion, came Will de la Hyde and wounded
him in the knee with his sword.’
These were rough times, and it is not improbable that Stoke had a brush
with the Town before he got safely back to Catte’s Hall. The old
rudeness gave way gradually, as the colleges swallowed up the irregular
halls, and as the scholars unattached, _infando nomine Chamber-Dekyns_,
ceased to exist. Learning, however, dwindled, as colleges increased,
under the clerical and reactionary rule of the House of Lancaster.
CHAPTER III
THE RENAISSANCE AND THE REFORMATION
WE have now arrived at a period in the history of Oxford which is
confused and unhappy, but for us full of interest, and perhaps of
instruction. The hundred years that passed by between the age of Chaucer
and the age of Erasmus were, in Southern Europe, years of the most eager
life. We hear very often—too often, perhaps—of what is called the
Renaissance. The energy of delight with which Italy welcomed the new
birth of art, of literature, of human freedom, has been made familiar to
every reader. It is not with Italy, but with England and with Oxford,
that we are concerned. How did the University and the colleges prosper
in that strenuous time when the world ran after loveliness of form and
colour, as, in other ages, it has run after warlike renown, or the
far-off rewards of the saintly life? What was Oxford doing when
Florence, Venice, and Rome were striving towards no meaner goal than
perfection?
Public-domain text, read in full here on John Shaqi.
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