Oxford (England) -- Description and travel; University of Oxford
I could wish that an inexorable Five Mile Act had kept it clear of red
brick. Newman and Ruskin hinted at the same. I know not how to describe
the spirit which turns a few miles of peaceful southern country into
something so unique. But if I mention a wood or a stream, let the reader
paint in, as it were, something sweet and shadowy in the distance, with
his imagination or recollection; let it be as some subtle perfume in a
_pot pourri_ which makes it different from all others.
There is a beautiful, sloping acre, not far from Oxford, which a number
of great elms divide into aisles and nave, while at one end a curving
hawthorn and maple hedge completes them with an apse. Towards Oxford,
the space is almost shut in by remote elms. On one side I hear the soft
and sibilant fall of soaking grass before the scythe. The rain and sun
alternating are like two lovers in dialogue; the rain smiles from the
hills when the sun shines, and the sun also while the rain is falling.
When the rain is not over and the sun has interrupted, the nightingale
sings, where the stitchwort is starry amidst long grass that bathes the
sweeping branches of thorn and brier; and I am now stabbed, and now
caressed, by its changing song. Through the elms on either side, hot,
rank grasses rise, crowned with a vapour of parsley flowers. A white
steam from the soil faintly mists the grass at intervals. The grass and
elms seem to be suffering in the rain, suffering for their quietness and
solitude, to be longing for something, as perhaps Eden also dropped
“some natural tears” when left a void. A potent, warm, and not quite
soothing
[Illustration: OXFORD, FROM SOUTH HINKSEY
Elms and willow trees fringe the slope of the hills leading to the
valley, in which the city shows sparkling in the morning sunlight.
Commencing from the west or left side of the picture, we see the tower
and lantern of All Saints’, with the dome of the Radcliffe Library
telling dark against the sky; then come the University Church of St.
Mary, Tom Tower, and the stretch of buildings of Christ Church, with the
Great Hall of the College, the Cathedral spire finishing the group.
Merton Tower stands detached to the east.
The almost level line of the horizon, with the trees bordering the river
to Iffley, frame as beautiful a group of buildings as any to be seen in
England.
Farm sheds show under the willow trees to the left.
The time is the early morning of a summer day.]
perfume creeps over the grass, and makes the May blossom something
elvish. I turn and look east. Almost at once, all these things are
happily composed into one pleasant sense, and are but a frame to a tower
and three spires of Oxford, like clouds--but the sky is suddenly
cloudless.
Public-domain text, read in full here on John Shaqi.
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