The triforium and clerestory in the nave (roofed in with sixteenth-century wood-work) give us an interesting example of the latest Norman or Transitional style. The clerestory consists of a pointed arch enriched with shafts at the angles, and supported on either side by low circular arches which form the openings of a wall passage. The arrangement of the triforium is remarkable. The massive pillars of the nave are alternately circular and octagonal. From their capitals, which are large, with square abaci, spring circular arches with well-defined mouldings. These are, in fact, the arches of the triforium, which is here represented by a blind arcade of two arches set in the tympanum of the main arch. The true arches of the nave spring from half capitals, set against the pillars, and are plain, with a circular moulding towards the nave. The crown of these arches is considerably below the main capitals of the pillars, from which the upper or triforium arches spring. The half capitals assist in carrying the vaulting of the aisles. The whole arrangement, rare on the Continent, is extremely unusual in England, but occurs, for instance, in the transept of Romsey Abbey. The pillars of the choir date, as has been said, from Æthelred's day; the rest is twelfth-century restoration, save the rich and graceful pendent roof, which accords so strangely well with the robust Norman work it crowns. The clerestory was converted into Perpendicular, and remodelled to carry this elaborate vaulting, which should be compared with that of the old Divinity School, or Henry VII.'s Chapel at Westminster, and attributed, not in accordance with tradition to the time of Wolsey, but to the close of the fifteenth century. The very effective east end is a conjectural restoration of the old Norman design, and was the work of Sir Gilbert Scott, who also opened the lantern-story and made many other sweeping changes and restorations, necessitated by the previous restorations of seventeenth-century Dean Duppa, and the neglect of his successors. When Cricklade's restoration was finished, or nearly so, it was decided, in order to revive the once so famous memory of S. Frideswide, to translate her relics from their obscure resting-place (probably the southernmost of the three Saxon apses) to some notable place in the church. The King, the Archbishop, many bishops, and many of the nobility and clergy gathered together to take part in this great ceremony. The bones of the Saint were taken up, set in a rich gilt coffin and placed on the north side of the choir. Miracles were wrought at the new shrine, and pilgrims crowded thither.