For in the first half of the nineteenth century there was a revival of spirituality, and men followed the lead, not of a Wycliffe, an Erasmus or a Wesley, but of Keble, Pusey and Newman. Oriel College, whose fellowships were confined neither to members of the college nor, in most cases, to candidates from certain places, was the centre whence men like Hurrell Froude, Keble's pupil, preached their doctrine of reaction; men who, finding the Church of England in a very parlous state, counselled a return to what was best in mediævalism, and, protesting against the Protestantism of the English Church, taught Newman to look with admiration towards the Church of Rome. The name of Keble and the impulse which he gave to Anglicanism are commemorated in Keble College; the prominence of the chapel, which contains Holman Hunt's "Light of the World," and the arrangement of the buildings emphasise the fact that it was founded to provide the poorer members of the Church of England with higher education on Church lines. The revival of mediævalism in Religion was echoed by a revival of mediævalism in Art. John Ruskin, who had matriculated at Christ Church in 1836, lectured intermittently as Slade Professor of Art from 1870 till 1884. William Morris, "poet, artist, paper-hanger and socialist," came up to Exeter in 1853 and there, in intimate friendship with Sir Edward Burne-Jones, looked out upon "the vision of grey-roofed houses and a long winding street and the sound of many bells," which was, for him, Oxford. The two friends have left behind them signs of their genius in the famous tapestry at Exeter Chapel and in the windows of the Cathedral; whilst at Corpus and in the Schools the great teacher gathered round him a circle of enthusiastic young men, and like an Abelard, Wycliffe, Wesley or Newman in the religious world, so advised and inspired them with his social and artistic gospel, that when, in pursuance of the old monastic principle "laborare est orare," he called upon them to mend a farmer's road at Hincksey, they laid aside their bats and oars, and marched, with the professor at their head, to dig with spade and shovel. Out of such inspiration grew the various University Settlements in the East End of London, inaugurated by Arnold Toynbee. Oxford owes much to the stimulating if incoherent teaching and the generosity of John Ruskin,[40] but architecturally his influence was responsible for several bad buildings in the would-be Venetian style--the Christ Church New Buildings and the Natural History Museum in the parks, for instance, proving deplorably enough that the critic was no creator.