P.'s Correspondence (From "Mosses from an Old Manse")Hawthorne, Nathaniel
General
P.'s Correspondence (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
I visited the House of Lords the other day to hear Canning, who, you
know, is now a peer, with I forget what title. He disappointed me. Time
blunts both point and edge, and does great mischief to men of his order
of intellect. Then I stepped into the lower House and listened to a few
words from Cobbett, who looked as earthy as a real clodhopper, or
rather as if he had lain a dozen years beneath the clods. The men whom
I meet nowadays often impress me thus; probably because my spirits are
not very good, and lead me to think much about graves, with the long
grass upon them, and weather-worn epitaphs, and dry bones of people who
made noise enough in their day, but now can only clatter, clatter,
clatter, when the sexton’s spade disturbs them. Were it only possible
to find out who are alive and who dead, it would contribute infinitely
to my peace of mind. Every day of my life somebody comes and stares me
in the face whom I had quietly blotted out of the tablet of living men,
and trusted nevermore to be pestered with the sight or sound of him.
For instance, going to Drury Lane Theatre a few evenings since, up rose
before me, in the ghost of Hamlet’s father, the bodily presence of the
elder Kean, who did die, or ought to have died, in some drunken fit or
other, so long ago that his fame is scarcely traditionary now. His
powers are quite gone; he was rather the ghost of himself than the
ghost of the Danish king.
In the stage-box sat several elderly and decrepit people, and among
them a stately ruin of a woman on a very large scale, with a
profile—for I did not see her front face—that stamped itself into my
brain as a seal impresses hot wax. By the tragic gesture with which she
took a pinch of snuff, I was sure it must be Mrs. Siddons. Her brother,
John Kemble, sat behind,—a broken-down figure, but still with a kingly
majesty about him. In lieu of all former achievements, Nature enables
him to look the part of Lear far better than in the meridian of his
genius. Charles Matthews was likewise there; but a paralytic affection
has distorted his once mobile countenance into a most disagreeable
one-sidedness, from which he could no more wrench it into proper form
than he could rearrange the face of the great globe itself. It looks as
if, for the joke’s sake, the poor man had twisted his features into an
expression at once the most ludicrous and horrible that he could
contrive, and at that very moment, as a judgment for making himself so
hideous, an avenging Providence had seen fit to petrify him. Since it
is out of his own power, I would gladly assist him to change
countenance, for his ugly visage haunts me both at noontide and
night-time. Some other players of the past generation were present, but
none that greatly interested me. It behooves actors, more than all
other men of publicity, to vanish from the scene betimes. Being at best
but painted shadows flickering on the wall and empty sounds that echo
Public-domain text, read in full here on John Shaqi.
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