P.'s Correspondence (From "Mosses from an Old Manse") — John Shaqi
P.'s Correspondence (From "Mosses from an Old Manse")Hawthorne, Nathaniel
General
P.'s Correspondence (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
The figure of the bard is tall and in the highest degree reverend, nor
the less so that it is much bent by the burden of time. His white hair
floats like a snowdrift around his face, in which are seen the furrows
of intellect and passion, like the channels of headlong torrents that
have foamed themselves away. The old gentleman is in excellent
preservation, considering his time of life. He has that crickety sort
of liveliness,—I mean the cricket’s humor of chirping for any cause or
none,—which is perhaps the most favorable mood that can befall extreme
old age. Our pride forbids us to desire it for ourselves, although we
perceive it to be a beneficence of nature in the case of others. I was
surprised to find it in Burns. It seems as if his ardent heart and
brilliant imagination had both burned down to the last embers, leaving
only a little flickering flame in one corner, which keeps dancing
upward and laughing all by itself. He is no longer capable of pathos.
At the request of Allan Cunningham, he attempted to sing his own song
to Mary in Heaven; but it was evident that the feeling of those verses,
so profoundly true and so simply expressed, was entirely beyond the
scope of his present sensibilities; and, when a touch of it did
partially awaken him, the tears immediately gushed into his eyes and
his voice broke into a tremulous cackle. And yet he but indistinctly
knew wherefore he was weeping. Ah, he must not think again of Mary in
Heaven until he shake off the dull impediment of time and ascend to
meet her there.
Burns then began to repeat Tan O’Shanter; but was so tickled with its
wit and humor—of which, however, I suspect he had but a traditionary
sense—that he soon burst into a fit of chirruping laughter, succeeded
by a cough, which brought this not very agreeable exhibition to a
close. On the whole, I would rather not have witnessed it. It is a
satisfactory idea, however, that the last forty years of the peasant
poet’s life have been passed in competence and perfect comfort. Having
been cured of his bardic improvidence for many a day past, and grown as
attentive to the main chance as a canny Scotsman should be, he is now
considered to be quite well off as to pecuniary circumstances. This, I
suppose, is worth having lived so long for.
Public-domain text, read in full here on John Shaqi.
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