business was planned by the agents of the Venetian Senate to enable them
to reach certain of their political enemies, is a question which is
still under controversy--a controversy in which we are not concerned to
take a part. Certain it is that Quevedo contrived, as an agent of Spain,
to make himself a person the most ungrateful to the Republic, which
pursued him, for some months afterwards, with a fury of hate and
bitterness of malice, which, though flattering to his character of
political _intriguant_, seem irreconcilable with the theory of his
innocence. He even ran a narrow risk of losing his life when on a visit,
apparently secret and unauthorized, to Venice. He was chased by the
officers of justice, and only escaped, we are told, through the
completeness of his disguise, being habited in the rags of a beggar, and
his perfect command of the Venetian dialect. He had the honour of being
afterwards burnt in effigy, a compliment he returned by pouring a stream
of invective on Venice and her government out of the resources of his
abundant rhetoric. Venice he called _the lumber-house of the world--the
toll-booth of princes--a republic such as cannot be credited and cannot
be forgotten--greater than it is fitting for her to be, and less than
she gives herself out to be; powerful in treaties, and feeble in power;
sumptuous in arsenals, profuse in ships; terrible to those who fear the
hulks of a fleet, where fleet is none--a dominion which exposes the
hollowness of many fears. It is a state the more prone to dissensions of
all that exist, more hurtful to her friends than to her enemies, whose
embrace is a peaceful war_,--with a good deal else, in a tone which
savours of very bitter recollections.
Public-domain text, read in full here on John Shaqi.
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