the version of Mr. Stevens. That version, though not satisfactory in all
respects, is still the best we have in English. It is almost too
faithful to the original in respect that it retains many expressions,
phrases, and words, of the kind in which Quevedo loved to indulge,
which, however appropriate in the mouths of the speakers in a thieves'
den or a convict prison, are scarcely delicate enough for the taste of
the modern English public, or necessary to bring out the full humour of
the story.
The text of the English translation of 1798, corrected and revised, is
that which has been followed in the present publication, of which the
immediate object is less to rescue Quevedo's story from oblivion than to
bring to the notice of the public the singular merit of his countryman,
M. Vierge (Daniel Urrabieta), as an artist in black and white.
H. E. WATTS.
[Illustration]
THE HISTORY OF THE
LIFE OF THE SHARPER
CALLED DON PABLO
THE PATTERN OF
VAGABONDS AND
MIRROR OF ROGUES.
[Illustration]
BOOK I.
CHAP. I.
_Giving an Account of Who he is and Whence he Sprung._
I sir, was born at Segovia, my father's name was Clemente Pablo, a
native of the same town; may God keep him in heaven. I need not speak of
his virtues, for those are unknown, but by trade he was a barber, though
so high minded, that he took it for an affront to be called by any name
but that of a cheek-shearer and beard-tailor. They say he came of a good
stock, and his actions showed it. He was married to Aldonza Saturno de
Rebollo, daughter to Octavio de Rebollo Codillo, and grandchild to
Lepido Ziuraconte. The town foully suspected that she was no old
Christian,[3] though she strongly urged the names of her progenitors, to
prove herself descended from those great men that formed the Triumvirate
at Rome. She was very handsome, and so famous, that all the ballad
rhymers of her time made verses of her, which were sung about the
streets. She ran through many troubles, when first married, and long
after, for there were scandalous tongues in the neighbourhood that did
not stick to say my father was willing to wear the horns, provided they
were tipped with gold. It was proved upon him, that whilst he was
lathering the beards of those he was to trim, a small brother of mine,
about seven years of age, rifled their pockets. The little angel died of
a whipping he had in the gaol; and my father was much concerned at the
loss, because he won the hearts of them all. He was himself a while in
prison for some small trifles of this nature; but I am told he came off
so honourably, that at his first walking abroad from gaol two hundred
cardinals went behind him, of whom ne'er a one was monsignor,[4] and the
ladies stood at their windows to see him pass by; for my father always
made a good figure, either a-foot or a-horseback.
Public-domain text, read in full here on John Shaqi.
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