But after all there is balm in Gilead; and much joy and consolation may
be drawn from the sorrowful official reports, by which it would appear
that the patrons of these libraries are confining their reading, with a
charming unanimity, exclusively to novels. And indeed they cannot do
better; there is no more blessed thing on earth than a good novel, not
the least merit of which is that it induces a state of passive,
unconscious enjoyment, and never frenzies the reader to go out and put
the world right. Next to fairy tales—the original world-fiction—our
modern novels may be ranked as our most precious possessions; and so it
has come to pass that I shall now cheerfully pay my five shillings, or
ten shillings, or whatever it may shortly be, in the pound towards the
Free Library: convinced at last that the money is not wasted in
training exponents of the subjectivity of this writer and the
objectivity of that, nor in developing fresh imitators of dead
discredited styles, but is righteously devoted to the support of
wholesome, honest, unpretending novel-reading.
The Rural Pan
(An April Essay)
Through shady Throgmorton Street and about the vale of Cheapside the
restless Mercury is flitting, with furtive eye and voice a little
hoarse from bidding in the market. Further west, down classic
Piccadilly, moves the young Apollo, the lord of the unerring (satin)
bow; and nothing meaner than a frock-coat shall in these latter years
float round his perfect limbs. But remote in other haunts than these
the rural Pan is hiding, and piping the low, sweet strain that reaches
only the ears of a chosen few. And now that the year wearily turns and
stretches herself before the perfect waking, the god emboldened begins
to blow a clearer note.
When the waking comes at last, and Summer is abroad, these deities will
abroad too, each as his several attributes move him. Who is this that
flieth up the reaches of the Thames in steam-launch hired for the day?
Mercury is out—some dozen or fifteen strong. The flower-gemmed banks
crumble and slide down under the wash of his rampant screw; his wake is
marked by a line of lobster-claws, gold-necked bottles, and fragments
of veal-pie. Resplendent in blazer, he may even be seen to embrace the
slim-waisted nymph, haunter of green (room) shades, in the full gaze of
the shocked and scandalised sun. Apollo meantime reposeth, passively
beautiful, on the lawn of the Guards’ Club at Maidenhead. Here, O
Apollo, are haunts meet for thee. A deity subjectively inclined, he is
neither objective nor, it must be said for him, at all objectionable,
like them of Mercury.
Public-domain text, read in full here on John Shaqi.
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