American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
"Let me laugh, too," she begged. "I was thinking," he explained,
"of an old maid aunt of mine who used to pray the Lord she wouldn't
die guessing." Easter stopped and unrestrainedly roared. He was
scandalized. "Hurry up," he expostulated. "We shall be late,
otherwise." But he was secretly elated at the quick-fire success of
his joke. A smart girl, that; she will go far--perhaps too far. They
went into the Conservatoire Cosmopolitaine. The door was opened by a
polite coloured man. He said Madame was busy just then. Wouldn't they
wait in the reception room? Stone called the old man "George" and gave
him a cigarette. The room was on the first floor facing the entrance
hall. At the stroke of four gabble was heard. Girls and young men
with fiddle cases and music-rolls tumbled down stairs, while fresh
classes were forming. A weary or bored instructor bustled among his
pupils. A gong struck. "Now, ladies, now gentlemen," called out George.
"Upstairs, please, for Monsieur Lapoul's class."
"It's run like a railway station here," said Stone. Then added in
French, "We shall see Madame Mayerbeer first, but don't say anything
about Fursch-Madi. I'd like to get you on the free-list, then, perhaps,
you might help out by accompanying." Easter tried to look grateful,
but couldn't. "What do they pay accompanists by the hour?" she naively
inquired.
"Pon my word," he answered, "you are a regular pawnbroker."
"Oh, it's all very well for you. You're a man. I must work for my
living." She was tart. He grimly smiled: "A critic who has to listen
to rotten singers isn't working, is he? Hello! here's Madame." A
pretty plump little woman, picturesquely garbed in brown-ribbed
velvet, wearing a man's collar and cravat artistically tied, tripped
into the room and in French bade them the time of day. Stone took her
apart and whispered in her little ear, which her loosely piled iron
gray hair did not conceal. But she was all eyes for the girl, who in
turn devoured this model Parisienne. And she is an American, what
chic! thought Easter. "A voice, you say, Alfred, and such good looks.
I should say so. Come up stairs, Miss Brandès. Nice stage name, eh,
Alfred! Of course, she will go into the Fursch class." "I don't know
about that," answered Stone, who seemed to be an oracle in the eyes of
Madame. "I should rather say Ash. The young lady has a lot to learn, a
long road to travel--" "Yes, but"--"But me no buts," he retorted. "With
Fursch-Madi she will only get a vocal top-dressing, whereas it's the
roots that need attending to. No, try Frida Ash."
"Bien, monsieur, mais vous êtes exigeant." Madame Mayerbeer turned to
the girl and fairly glowed with enthusiasm.
Public-domain text, read in full here on John Shaqi.
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