American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
semi-barbaric, the fantasy of an oriental sorcerer who had been mad
enough to evoke from unplumbed and forgotten seas the long lost
Atlantis....
The buzzing of the annunciator, a man's voice aroused Ulick from his
reverie. He hopped into the room where he found Paul. The greeting of
the pair was cordial; there wasn't the slightest feeling of jealousy
between them, and this was something Dora detested. Competition is the
life of cocottes, she declared early and often. In her feline fashion
she had tried to arouse the jealousy of Paul and Ulick, but vainly.
Ulick was touchy when Easter's name was in the mouth of Paul, and he
knew that if Paul ever dared to speak of Mona disrespectfully, he would
smash him. But jealousy over Dora? Pas pour trois sous!
Dora was a safe port in emotional storms. When all fruit fails welcome
haws, runs the adage. Ulick had been on the jagged edge of ennui ever
since the visit of Mona. He hadn't the courage to look into his soul,
black with a viler sin. To distract himself, like the man who drinks
to forget, he had gone up to Dora's overlooking the fact that it was,
for all he knew, Paul's "evening at home." Still, no bones were broken
and he shook Paul's hand and said bienvenu! Dora glowered. She talked
to herself. She went into the kitchen and raised her voice to the new
cook. She noisily rattled dishes, pushed the furniture and behaved like
a woman misunderstood. She, too, had her grievances. These fellows of
hers weren't behaving on the square. Now, what did Ulick Invern mean
by coming up when he knew he would run into Paul! Did he do it on
purpose, just to annoy her? She whimpered in the pantry as she took
down the decanter of whisky and put the glasses on a tray; whatever
else might be criticised in her conduct no one ever would accuse her of
inhospitality. This consoling idea struck her and to drive it home more
securely in her self-esteem she helped herself to a generous drink. It
was not the first "hooker" she had drunk that day; in fact, she was
admirably intoxicated when Ulick arrived, and she knew that he noticed
it. It was her standing grievance against him that he couldn't be
persuaded to drink or smoke. It seemed to put him on a pedestal above
her and she hated pedestals. Now there was Paul--always half-stewed....
She fetched in the liquor.
They played cards, that is, Dora and Paul wrangled over some game,
Ulick interesting himself in a newspaper; there wasn't a book in the
apartment fit to open. Dora's dissatisfaction grew apace. Slapping the
cards down she called to Ulick: "You're the nice one I don't think.
You don't drink or smoke, you can't even play poker. What are you good
for anyhow?" Bored, Ulick went into the hall after his hat and stick.
The hints of Dora were not cryptic. He felt that three is company, two
none, and he determined to leave them to their desperate ennui à deux.
But he had counted without Paul.
Public-domain text, read in full here on John Shaqi.
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