American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
"Where are you off to, old top?" Paul asked. "Wait a bit and I'm with
you." Dora revolted. "You make me tired, both of you. First Ulick,
then you, Paul, and you're going to see the girls, I swear to that."
"No," politely contradicted Paul, "no girls when we can have your
company Dodo." "That's why you slip away and leave me to spend the
evening alone within four walls. Well, that's where you'll get left.
I'm going to ring for a taxi and I'll go across to Edie's. She always
has company." She was again on the verge of tears. Paul's next speech
precipitated the explosion, though from an unexpected quarter. Turning
to Ulick he had banteringly remarked:
"Jewel, I'm off to Europe Saturday. I'm going to Paris on the fastest
boat I can get, the 'Deutschland'. I hope to see Easter in Paris. Shall
I give her your love?" He meant it innocently, but his manner proved
the red rag to the bull. Ulick became pale, surest sign that he was
angered. He didn't answer at once, then, as he stood in the doorway,
he said in his chilliest voice: "I never discuss ladies with such men
as you and particularly in such surroundings." This rude speech sent
Paul up into the air; he, too, had been drinking far more than was good
for him. He went over to Ulick and said: "What's the matter with you?
Can't I mention Easter's name without you rearing on your hind legs?
Perhaps I should have asked for Mona's permission"--He got no further.
Ulick's reach was long, his attack swift--he hadn't studied for naught
boxing with his father's old fencing-master, an Irishman, in Paris.
He landed his "left" full on Paul's chest and Paul reached the floor
amid a huge clatter of displaced chairs, the table, its glasses and
decanter. He lay there, not so much stunned, as reflective. Decidedly
he was not in the same class with this heroic Franco-American. Dora
came to the rescue with screams of rage. Aroused by the scrimmage a
coloured girl stood staring from the kitchen, the whites of her eyes
like cream, thunder-curdled. She proved the lightning-rod that drew
off the accumulated electricity of Dora, who was fearful that the row
had been overheard in the eminently respectable house. She flew at the
unfortunate cook.
Public-domain text, read in full here on John Shaqi.
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