American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
He glanced through the news columns this bright October morning.
Suddenly a headline and a name caught his eye. Istar! The elopement of
the celebrated opera singer Istar with a prince of the blood royal!
A half column cable despatch, evidently elaborated in the newspaper
office. It described in exaggerated terms the elopement of Easter
with a Bavarian princeling from Munich. She had been singing there as
"guest" and the musical prince had lost his head, though married to a
dowdy princess, and the father of an increasing family. The pair had
run away in the night but all the machinery of policedom had been set
whirring. En route for Lake Como they were tracked to Vienna and there
arrested. A diplomatic arrest, be it understood. The "avenging wife"
figured in the dénouement; she was said to have wielded a whip, but
Istar grabbed it from her flaccid grasp and gave the unhappy woman a
genuine horse-whipping. But doubtless this incident was manufactured
out of the whole cloth. The wretched princeling was nipped and in
company with a delegation of solemn functionaries, was sent back to
Munich, where he was solemnly spanked and put to bed--metaphorically.
The affair made a terrific scandal. Istar was warned by the secret
police that she would be expelled if she ever crossed the Bavarian
border. What amused Ulick was her reported attitude when she was
intercepted. She swaggered to the prince and shaking his chilly,
frightened hand, she insolently hummed a familiar tune: "Du bist
verrückt mein Kind. Du muss nach Berlin...." The pompous entourage
couldn't stand that and there were discreet smiles and much wagging of
official skulls. Decidedly, Easter came out with flying colours....
Ulick laid down the paper. Easter was surely on the road to victory.
Duels, elopements, scandals, royal favours, Good Heavens! how that girl
is going straight to her goal. She is an arriviste, but all women are
arrivistes. Never mind so you win! When he thought of some women and
compared his own slow mode of reacting to circumstances he realised
that his incompetence was encyclopaedic. He admired Easter more than
ever, admired her at a distance of three thousand miles. All said
and done she was more to his taste than Mona. He was worldly. He was
artistic. He liked the éclat of operatic triumphs. Istar had arrived.
Lilli Lehmann, retired; Ternina retired--who was there, except Olive
Fremstad to take their place! Fremstad would prove a serious rival
to Easter. No doubt about that. But she had visited New York before
Easter, and that would give the girl a free field.
Public-domain text, read in full here on John Shaqi.
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