American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
There was Mary Garden, who had been startling Paris from its musical
apathy with her marvellous Mélisande. And the young Geraldine
Farrar--she was cutting an artistic swath in Berlin. Yet none was so
brilliant, he thought, so promising, as his beloved Easter. Beloved?
The word was the father to his wish. Easter had never appeared to him
in such alluring shapes. Beautiful girl, great singer--and then her sex
suddenly swam before him and he literally saw crimson. His enforced
chastity was telling adversely on his sanguine temperament. Be virtuous
and you'll be bilious! He sourly quoted to himself. If this thing keeps
on I'll be forced to ring up Dora.... He hurriedly dressed and went to
his club.
IV
A red touring-car, latest model, stopped before Madame Ash's house. A
tall woman alighted and rang the bell. Eloise answered and could only
gasp: "Miss Easter! Madame will be so surprised." Easter grasped the
faithful girl's hand and shook it in man-like fashion. Her democratic
ways were not the least of her endearing qualities. A pupil was
singing, but Easter strode in and heartily kissing her teacher she
exclaimed: "You darling, how glad I'm to see you!" Madame Ash, who
couldn't be startled by an earthquake, was nevertheless, surprised.
"You, Easter! And what are you going to do in New York?"
"I'm going to raise hell!" she crisply announced. Madame nodded
approvingly. "You will, no doubt about that, and no doubt as to your
nationality--you're Yankee all right." She dismissed her pupil and
ordered tea in the drawing-room. Such visitors did not come every day.
She found Easter handsomer, more self-possessed, also more imperious
in her manner. The girl had become woman. Her beauty positively
dazzled. It was her health that contributed to this initial impression.
Madame Ash interrogated her as to her lessons. With the accustomed
forgetfulness of youthful prima-donnas Easter waved away the subject:
nor would she sing. "Wait! You will soon have a chance to judge in
public." Then she exploded her bombshell. "I open the season at the
Metropolitan. Think of it dear Madame Frida, I'll sing Isolde to Jean's
Tristan." That was another surprise. And not a line in the newspapers.
Why hadn't Alfred told her? "Because he doesn't know," answered Easter.
"Not a soul knows. I dodged the reporters this morning. Paul--Mr.
Godard--you remember him!--What a friend he has been to me--that scrape
at Munich, I mean--He took me down to Italy and I'm glad it was Paul
and not that little fiddling Prince Ludwig--well, Frida, I've seen
some life--I must be going. Tell Alfred to come to the Waldorf. I'm
there for a day or two. And tell him the contract was made by cable.
It's the fault of the management if he wasn't informed. It will be
in the papers tomorrow morning. Go to the window and look at my new
car--nice present, isn't it! It came to the dock to meet us." She
stopped for breath.
"So Mister Paul came across with you, did he?"
Public-domain text, read in full here on John Shaqi.
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