American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
Alfred Stone spat bitterly on the floor of his bedroom--which was also
his living-room and library. His cigarette tasted like toasted rag, and
in his mouth there was scum. Brown, brown and yellow, he told himself.
This boozing till all hours in the morning must be stopped. A hard
night last night down at Lüchow's, but the crowd left there at half
past one when they couldn't get anything more and went over to Andy's
on Second Avenue and played poker-dice till six. No wonder I feel
rotten, said Stone. It was past midday. He swallowed a cup of strong
tea which he made with trembling hands. He had a concert to "cover,"
a concert at Mendelssohn Hall, but first he must go to his office at
the "Daily Chanticleer." He looked at his image in the glass. His skin
was dingy, discolored, his eyes unnaturally dilated. A hard night and
a hard face. He lighted a cigarette. Tea and tobacco soon steadied his
nerves. He was in a moody humour. What's the use of anything? was its
keynote. The bookmakers had hit him hard the day before; hence the
drinking bout with a gang of chaps for whom he didn't care a rap. Ulick
had been with them at the start, had eaten a hearty dinner, but, as
usual, dodged away when the heavy drinking began. Smart Ulick. But a
bloody blighter when it came to sticking. However, I can't blame him,
philosophically added Stone. Ulick doesn't drink or smoke. Why should
he tag after a band of thirsty ruffians like ours. He's girl-mad,
that's what he is. And why the sudden interest in Easter Brandès?
Her name gave him a new point of departure. That young woman was too
shrewd by half. Too ambitious, uncannily so. The soul of a pawnbroker,
he had accused her of having. Young, not bad looking--he was critical
this day--but coldly selfish; what's worse, she didn't mind letting you
see how indifferent she was.
Public-domain text, read in full here on John Shaqi.
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