American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
But Easter was refractory. She liked the tenor voice, and,
notwithstanding the fulness and richness of her middle and lower
registers, she preferred her fluty upper tones. Madame Ash was pleased
with the voice and told Stone that in two years she would have the
girl in the concert-room. A wonderful talent, a wonderful personality,
hard as nails, and all the better for it. She would keep off the men,
with that cold eye. But when she does break loose--Grand Dieu! The
madame comfortably shivered. She was not averse from hearing about
exciting scandals--if they didn't happen in her own vocal family.
Easter was more than promising material. The kind-hearted teacher and
manufacturer of prima-donnas, as she merrily christened herself, was
interested in the strange girl Alfred Stone had brought to her for
judgment. She also wondered at his noticeable interest, for she knew
him as a celibate, a woman-hater, rather say, a despiser of the cloven
sex. She had persuaded him, without much trouble, to invite Easter to
a full-dress rehearsal at the Opera. The girl couldn't afford to pay
for a seat. This he had done and now Easter was in the sixth heaven of
anticipation.
At half-past ten Frau Seidl telephoned the director that his
assistant-conductor was to go ahead with the first act, which had
been rehearsed by him the week before. He was ill but would be down
at midday. There was some gutteral cursing, it stopped when the
first enigmatic bars welled-up from the mystic abyss. Easter, her
eyes closed, her face flushed, swam out on the muffled ecstasy of
the prelude. The curtain rose. Soon Lilli passionately broke in upon
the song of the seaman, and the glorious symphony of human desire
and renunciation went swirling by. The singers were in costume.
Jean, warrior and lover, met his Isolde in the shock of passion and
remorse, but did not flinch at the climax. Van Rooy and Brema were in
the mood-key. At moments Easter thought she couldn't longer stand the
suspense. She wished to cry, to roll on the floor, to tear her hair, to
press her aching eyeballs till they fell out. She was in the centre of
an emotional typhoon. Her previous life shrivelled up like a scroll in
the clear flame of the mighty master of musical elixirs. Love and Death
and Death and Love. First Things and Last. She was shocked and angered
at Stone's commentary after the curtain had fallen, and the sparsely
scattered auditory busily buzzing.
Public-domain text, read in full here on John Shaqi.
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