American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
When Easter told her of Lehmann's suggestion Madame was amazed. "What!
You a chit who only have a a voice and a pretty face to go to Lehmann
before you know how to sing? If Lilli heard you once she wouldn't be
so generous with her invitation. Why, child, you must stay with me two
or three years, then it may be time to think of Isolde. Lilli and her
Grünewald villa!" Easter drawled out that she proposed singing for
Lehmann after the Christmas holidays so that Lilli wouldn't be buying
a pig in a poke. Again, consternation on the part of Ash. Well, if you
sing for Lilli suppose we get to work on some Bach. Easter loathed
Bach, although she knew that his music was necessary to the formation
of a sound vocal style. So she didn't demur, and presently she was
delivering an old chorale, accompanying herself, and singing with such
tonal richness and exaltation of feeling that the tears came unbidden
to the eyes of the veteran teacher. Afterwards she told Stone that the
girl was a torment but--a genius. Yes, the word was spoken. Why, she
eats the words out of my mouth, cried Madame Frida. She anticipates me.
Conceited? Yes. She has a good right to be. At the present rate--she
will be singing Wagner in a couple of years ... Alfred, you think she
has no temperament? She is bursting with it. When she kicks over the
traces, I shouldn't like to be in the coach behind. But sly--selfishly
sly. After this psychological diagnosis Madame emitted a sigh of
satisfaction.
IV
Stone still stuck to his post as vis-à-vis to Easter at dinner. But
since the return of Ulick the table was too small for three, and, as
Ulick couldn't very well be shaken off by Stone--who faintly hoped that
Easter entertained the same idea--they had asked Papa Felicé for a
larger table and were given a round one in the centre of the room. The
Felicés were glad to see that the men were beginning to cluster about
the Southern girl. As long as proprieties were outwardly observed no
questions were asked in the Maison; they might have proved awkward.
Wedding rings did not abound there, yet what a delightful oasis it was
in the big, noisy city. A good dinner, cooked by an Alsatian chef,
excellent wines, if you cared to order them, and a nice tight little
game till any hour you cared to lose your money; it was a proverb in
the Maison that Yankee guile, no matter the cards, could not prevail
against the skill of the patron and his urbane wife. In sooth, it
seldom did. Stone played when in funds and always cursed the house,
his luck, when he lost. Ulick didn't know how to play cards, or,
indeed, any games indoor or out-door. He agreed with Huysmans, who
wrote that a monument should be erected to the memory of the inventor
of playing cards, for had he not done something toward the suppression
of free-speech among imbeciles? He forgot the women, said Ulick. They
always gabble, even on their death bed.
Public-domain text, read in full here on John Shaqi.
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